Category Archives: Guy Style

tomvox1’s Watches for Sale — July selection

Kicking off summer and this most patriotic month I have a real sparkler of a vintage watch on offer — a beautiful pink gold capped C-shape Constellation. Dating from circa 1966 this Mad Men-esque beauty features Omega’s bold, sweeping lug design that ushered in a new stylistic era for their flagship Constellation line. And this pink gold capped version is surely one of the more uncommon iterations.

PGCapC-shapeConnie-lng copy

Furnished on its ultra-rare matching pink plated brick link bracelet, this Connie makes a stunning and refined impression on the wrist. Best of all all its various collector elements match perfectly: solid 14k pink gold smooth bezel, correct pink crown, solid pink gold Observatory medallion on the back, pink dial furniture and even a pink tension ring on the Omega-signed acrylic crystal! That sort of originality is pretty hard to come across in a 50-year-old watch.

PGCapC-ShapeConnie-move copy

This Connie also features its original and beautiful silver non-luminous dial and matching non-luminous stick hands. I am big fan of this elegantly slim, almost minimalist dial and hands combo and I think once you strap it on you will be, too. To make matters even sweeter, the exceptional 561 Chronometer caliber was serviced recently and so is ready for years’ more faithful service to its new owner. Accuracy, rarity and uniquely classy style all at an eminently reasonable price — what more could you ask for in a vintage dress watch?

PGCapC-ShapeConnie-bk copy

Check out the complete ad with many more pictures and complete condition report over at the always excellent Omega Forums Private Sales corner. SOLD

Men’s Cologne — Bleu de Chanel by Chanel

Bleu de Chanel is something of the elephant in the room when it comes to today’s men’s fragrances. Since its release in 2010 by the illustrious House of Chanel, Bleu has been equal part praised and vilified, enormously successful and pilloried for that very mass market appeal, not to mention much imitated by competitors envious of its market share. As the newest in a long line of legendary Chanel offerings for men that includes Pour Monsieur, Allure, Egoiste and my personal favorite, Antaeus, Bleu marked a break from such utterly unique compositions and an attempt at a more modern, mainstream “youthful” juice with wide appeal. Based on its commercial success, there can be no doubt that Chanel succeeded. If Bleu is a little on the dull and boring side it is also made of the highest quality ingredients, as one would expect, and blended beautifully. It’s a very good daily driver for those of us who don’t have the stones to wear Antaeus as a daytime office scent or on a first date. And let’s be honest, that’s probably most of us and with very good reason.

grapefruit

Characterized as a Woody Aromatic, Bleu Eau de Toilete opens instead with its signature high note of clean grapefruit with a hint of fresh ginger adding a little complexity. This is handled well and comes across as nicely crisp and bracing, a very good way to start the day after a shower. The laundry musk of so many other “fresh” scents is thankfully absent and despite the name this is not really an aquatic scent either, unlike its rather bad competitor from Dior, Sauvage. While I’ve never been able to detect any patchouli, as listed in the notes, and only a bare minimum of vetiver, there is a subtle development away from the somewhat generic citrus beginning as those promised woody notes of mellow sandalwood and crisp cedar begin to assert themselves. This is complemented by peppery accords — pink they say — and a harmonious mint that brings to mind a toned down, more elegant version of Burberry Men. The woods remain deep into the dry down and while still staying very fresh, Bleu EDT softens with its trademark light incense base giving the fragrance a little warmth where before there was mainly a cool, attention-getting crispness to the whole experience.

I say attention-getting because even though Bleu shares aspects of other “modern” compositions favored by younger guys these days it is distinctive enough, as well as definitely a well crafted juice and not a synthetic mess, that it always seems to stand out and get compliments from the fairer sex. It’s taken me a long time to warm up to Bleu de Chanel — at first I was decidedly unimpressed — and my preference for this sort of daytime fragrance still leans more towards old school green classics like Lauder for Men and Tsar. But Bleu has grown on me and the response it gets makes me think that it somehow makes more of an impression on those around me than on my own nose, perhaps due to olfactory fatigue. So yes, its safe, a little less than exciting or bold and somewhat annoyingly au courant in its lack of a forceful personality.

But sometimes safe is a positive quality in a cologne when you’re not trying to make a given experience all about you or what scent you’re wearing. It’s certainly very good in warm weather, a definite daytime stalwart and fine for a casual evening out when you just want to smell good, clean and effortlessly manly. The nearly opaque deep blue flacon (bottle) is handsome, solid and simple and the vaporizer delivers a consistent dose without dripping or leakage. So Bleu is quality all the way and an all around versatile performer with solid but not overpowering sillage and good longevity at around 6 hours until it is a skin scent (more on clothing, of course). You’ll smell good, you’ll smell masculine despite the modern interpretation and no one will ever be offended by what your wearing. The only downside is its popularity, which might mean the guy next to you at the bar or the gym might also be rocking Bleu. But then you don’t really wear Bleu to stand out. It’s a solid addition to any man’s wardrobe precisely because it is so user-friendly and versatile. I can honestly say that the experience of wearing it gets better over time, as the quality of the composition becomes more apparent (and perhaps in-bottle maceration also contributes to this improvement). And when you feel like you simply can’t play it this safe anymore and you’ve got to embrace your ballsy side Chanel still thankfully offers its full throated masculines like Antaeus. So kudos for the great fashion house for keeping its classics in circulation as well as moving forward with the very solid, very reliable Bleu. In this here today, gone tomorrow world of modern perfumery Chanel’s pride and traditionalism amidst undeniable innovation deserves praise. It’s a tribute to their sophistication that they acknowledge that there are many moods to a man and while Bleu might suit some of them, and suit them in style, it certainly shouldn’t be the only one.

Bleu de Chanel is available directly from Chanel.com as an EDT and a Eau de Parfum and in a variety of sizes and affiliated beauty products. Chanel keeps tight control of their distribution and it ain’t cheap but you’ll always know you’re getting genuine Chanel quality.

Watch Collector’s Notebook: Gianni Agnelli rocking an Omega PloProf

The late, great Italian industrialist Gianni Agnelli (1921-2003), head of Fiat for decades, eventual part owner of Ferrari and longtime chairman of the Juventus soccer club, is rightly regarded as a true men’s style icon. From his pioneering mix of high and low in his day-to-day fashion — work boots with a finely tailored suit, denim shirts and jeans with an ascot — to his signature wristwatch-over-the-cuff look, Agnelli was man of unique and cutting edge personal style.

Agnelli-Ploprof-2

Perhaps, then, it’s no surprise that Gianni Agnelli began sporting the massive Omega Ploprof diving watch during his vacations and more casual moments in the 1970s. The very avant-garde asymmetrical case design must have appealed to the industrialist in him, as well as its eye-catchingly oversized dimensions. The Ploprof was also engineered to be a true “wrist machine” and not just another wristwatch so wearing one couldn’t help but make a statement, something Agnelli always like to do. A keen yachtsman, the Ploprof’s bona fides as a rugged professional dive watch and a timepiece of superior water resistance must have also appealed to Agnelli’s adventurous nature.

Agnelli-Ploprof-1

It’s definitely cool that such a patrician, elegant figure could rock a beast like the PloProf and so effortlessly, as well. I never would have thunk it but then these pics don’t lie. Chalk another one up to the maestro of bespoke personal fashion. He certainly anticipated our current culture’s fascination with high-low attire and bold personal statements. But maybe don’t try wearing your PloProf outside your shirt cuff. After all, there was only one Gianni Agnelli and no matter how much of his ingenious, seemingly effortless élan has worked its way into our current sense of fine gentlemanly style some of his signature moves remain impervious being copied. Simply put, you can borrow from Agnelli but you can’t be Agnelli. So rock your Ploprof, old or new, however you see fit and make it part of your own look. You’ll always know you’re in very good company.

Ploprofwrist-new1

tomvox1’s Watches for Sale — May selection

Well it’s the merry month of May already so time to get in the spring swing with something special — an uncommon 1970s Breitling reference 7806 Navitimer from my personal collection. What makes this vintage Navitimer special, you ask, other than being a fine example of Breitling’s legendary aviator’s computing watch? Well, the 7806 has an unusual movement under the hood: a seldom seen Valjoux 7740 rather than the traditional Venus 178 of nearly all other earlier Navi models.

BreitlingNavi7806-move3 copy

The manual wind 7740 is an odd duck in that it is essentially a Heuer/Breitling/Hamilton Chronomatic cal 11/12 but without the autowind mechanism (not sure how these wound up being branded “Valjoux 7740” but I guess that is a story for another day). Also unusual is the placement of the constant seconds sub-register hand at “6” while the hour counter is at “9” and the minute counter at “3,” as well as a small red date placed between “4” and “5,” another first for a Navitimer. My surmise is that the 7740 was tapped to be one of the replacements for the venerable Venus 178 in Breitling’s manual 3-register chronographs for some or other reason, along with the non-date Valjoux 7736, as you see these calibers start to appear with corresponding revised model references in the early 70s.

BreitlingNavi7806-1 copy

All that technical talk aside, this mid-1970s Navi features gorgeously patinated Tritium luminous figures on its “Big Eye” Twin Jet logo dial, colorful red slide rule accents and an oversized 41mm all-steel case in excellent condition. That gives this beautiful vintage watch great presence and panache, as well as a being a model you’re not likely to see on someone else’s wrist. It’s just the kind of interesting, low production piece that gets the attention of fellow watch collectors in general and vintage Breitling collectors in specific. Just back from a full overhaul, this is a functional tool watch for timing fast feats on land or air and from a vintage marque I actually think is underrated considering the prices being fetched by more obscure brands. So take a good look and see of you don’t want to add this classic reverse panda chrono to your collection. With this beautiful and uncommon Breitling Navitimer on your wrist, the sky’s the limit!

Breitling7806Navi-wrst2 copy

Check out the complete ad with many more pictures and complete condition report over at the always hopping Omega Forum’s Private Sales CornerON HOLD

tomvox1’s Watches for Sale — April selection

Up for sale this tail end of April is a super cool and fairly uncommon 1990s TAG-Heuer reference CS3111 “Carrera 1964 Re-Edition” manual wind chronograph featuring a beautiful black dial with original lightly patinated Tritium luminous. Released in 1996, the 1964 Re-Edition Carreras were significant in that they represented an important acknowledgment by the modern TAG-Heuer group of their glory days in the 60s and 70s when they were simply Heuer and made sporting chronographs of the highest quality, often particularly utilized in motorsports. One might even go so far as to say that by mining its storied past and creating an exacting tribute to the original Carrera it led TAG-Heuer directly to their vintage-inspired renaissance that continues to this day.

HeuerCarreraCS3111-7 copy

All that intriguing history aside, this fine neo-vintage chronograph is definitely a stunner in the here and now. Faithful in nearly every way to the original versions, this all-steel screw back watch features the classic Carrera-sized 36mm wide case with its iconic long, angled lugs. The black dial — these 1964 Re-Editions also came in silver but the black is the sexier version, IMO — features fine white contrast printing for the decimal track and engine-turned black sub-registers, as well as an inverted pie pan outer silver minute track. The original Tritium luminous has acquired a lovely ivory patina through the years on both the dial and the perfectly matching, uniquely Heuer-shaped hands.

HeuerCarreraCS3111-move copy

Under the hood is the legendary Lemania cal. 1873 chronograph movement — essentially the same movement that has powered Omega’s Speedmaster Professional Moonwatch from 1968 on — beautifully finished by Heuer with what appears to be rhodium plating and sporting 18 jewels. This robust caliber is a worthy successor to the venerable Valjoux 72 movement that powered the original 1960s three-register Carreras and all chrono functions are super crisp with timekeeping and power reserve excellent. Complimenting this racing-inspired watch beautifully is a modern shell cordovan rally strap, which also has this model’s genuine Heuer-signed “B” buckle installed.

Carrera-wrst copy

Running like a top and costing a fraction of what an original vintage black manual Carrera would run you these days, this CS3111 Re-Edition is top quality genuine 60s style at an affordable price. Snap it up, strap it on… and go!

Check out the full ad with many more pictures and complete condition report over at the very Heuer-centric Chronocentric ChronoTrader Forum.  ON HOLD

Men’s Cologne — Dunhill Edition by Dunhill

Dunhill Edition is another older but still excellent Aromatic Fougerie, that ultimate gentlemen’s genre of fragrance that seems to have gone largely out of fashion in recent years. Created in 1984, 50 years after the original Dunhill for Men debuted, Edition is completely different then its legendary forebear. Unlike that pre-War masterpiece, Edition doesn’t emphasize floral notes like iris and jasmine but rather warm spices, wood and the fougere staples oakmoss and vetiver. Dunhill Edition is also a quality fragrance that actually develops as you wear it, unlike so many that promise to do so with an elaborate note pyramids but remain essentially linear, smelling not that much different hours later from when you first sprayed it on. No, Dunhill Edition is a many-layered fragrance in the best traditions of English perfumery, opening with a strong soapy vibe redolent of bergamot, a dry lemon, lavender and oakmoss. The soapiness is definitely less green that that of Van Cleef’s classic Tsar but the two share a similar potent barbershop vibe that can come across as a little heavy on first application. But also like Tsar, Edition begins to soften after the first half hour with a very nice spicey clove note as well as some nutmeg coming to the fore and balanced by refined clary sage, which I always seem to enjoy in my colognes. But Antaeus this is not — the sage is noewhere near as sharp and there are no funky animalic notes in Edition’s composition. Instead, it remains polite and refined, as one might expect from this classy house famed for its fine cigars, with some subtle masculine flowers like carnation and geranium in the mix, as well as tonka bean to sweeten things as it begins to dry down (ironically you’ll find no tobacco in either Dunhill for Men or Edition). In the late stages the vetiver and oakmoss continue to radiate from the base, mingling with a very pleasant fir note that plays off the tonka beautifully.

Cloves

Although often rumored to be discontinued, Dunhill Edition seems readily available and at extremely reasonable prices considering the apparent quality of the ingredients. It can be had for around $30 for 3.4 ounces, a pretty good deal in my book. Along with the original Dunhill for Men, Edition makes a solid addition to any man’s cologne cabinet, particularly those who enjoy timeless classicism rather than chasing trends. Projection is moderate except for that opening blast and sillage is solid but pleasantly diffuse, creating the impression of a well-groomed man not trying too hard to be noticed but nonetheless smelling effortlessly good. You definitely wear this Eau de Toilette-strength juice, it doesn’t wear you. Longevity is a good 6-7 hours depending upon heaviness of application and personally I think the late dry down where you can really smell the woods mingling with the sage and cloves is the best part, which makes Edition a pleasure to wear from beginning to end. I’d say this is more of a daytime wearer, ideal for office or semi-formal social occasions where restraint is appreciated. But if you wore this for an evening out it would’t be the worst thing in the world by a long shot. I also feel like Edition is one of those uncommon true all-year colognes, where the lavender and citrus elements work well in warm weather and the clove and oakmoss shine in colder temps. So if you like the more old school styles of masculine perfumery where there’s not an aquatic, melon or fake ambergris note in sight but you’re not quite in the mood for the knockout 1980s leather power of de la Renta’s Pour Lui or Maxim’s Pour Homme I’d say Dunhill Edition is well worth sampling and perhaps including in your collection. Along with a Saville Row suit and a well-crafted pair of Loake shoes the understated and classy Edition fits right in with any well turned out gentleman’s wardrobe.

Watch Collector’s Notebook: The Keepers — Rolex 6240 Daytona

When you get to a certain level as a wristwatch collector/enthusiast you may find yourself test driving a lot of different watches but keeping relatively few of them long term. This sort of restlessness isn’t uncommon — many of us are looking to replicate the thrill of acquisition that we felt more frequently when we were just starting out in the hobby and all was new to us. But these newer infatuations — and even old ones — can be fleeting as our tastes evolve. And obviously financial circumstances can dictate selling off pieces just as much as falling out of love with a watch. So I wanted to talk about the watches that are in my Keeper category rather than those that simply come and go and how and why they stay there year after year. These are the pieces that I would be most loathe to covert into cash whatever their current or future value. They’re the watches that I enjoy, wear and that have pride of place in my collection. In other words, they’re not going anywhere if I can help it because they’re what I feel makes my collection uniquely mine.

6240-cls

I’ll begin this new series of personal reflections on my keepers pretty much at the top — with my mid-1960s Rolex reference 6240 Cosmograph Daytona. Picking one’s favorite watch is like picking one’s favorite song. There’s never really one top spot just a select few all-time greats that you keep coming back to. For me, this Daytona is one of those evergreen classics that always puts a smile on my face. Typical of what makes Vintage Rolex so seductive as a pursuit, the 6240 has a lot of subtle nuances and details that all add up to make it a special watch. The reference is the first true Oyster chronograph produced by Rolex with not only a bigger screw down crown than its predecessors but also screw down pushers to prevent the wearer from accidentally engaging them when in the water. This latter safety feature marked a sea change in chronograph design and is still found on Rolex’s modern Daytonas, as well as other competitors’ sport chronographs like AP’s non-Offshore Royal Oak and Vacheron’s Overseas.

6240-angl-3

My example has an early serial # for the 6240 reference at 1.2 million, which dates it to circa 1965, the model’s debut year. And it is also delightfully period correct, with the original shorter “stubby” screwed pushers, original Mark I black acrylic UPH bezel and the correct type of sub register hands (note the difference between the thin constant seconds and the thicker hour and minute counter hands). The case shows wear but not any polish, just how I like my watches and a pretty uncommon bonus, as the custom back in the day was regular polishings at service to “refresh” the watch. As you can see the dial does not have the word Oyster on it despite the big water resistant upgrades in the 6240. Very soon screw down pusher models would have Oyster printed on their dials but in true Rolex fashion the early generation 6240s tend not to, as Rolex was keen to get the new improved Daytona out there and simply used pump pusher dials early on. There is also the theory that these non-Oyster 6240s might have started life as Paul Newman-dialed models but were swapped out by dealers anxious to get rid of that then-unpopular style and move their merchandise. Due to the sheer frequency of the non-Oyster dials — both small and large DAYTONA fonts — occurring exclusively in the earlier serial number ranges this seems unlikely to me. Also note that at this early date there are no Sigma symbols surrounding the T SWISS T nomenclature below the “6” counter. This addition, making a bigger deal out of the already extant white gold markers on Rolex dials, would come later in the 60s.

CosmoWrst-2 copy

Dial condition is paramount on the list of criteria that I use to judge a watch and this silver panda dial is essentially perfect with the fragile luminous dots all intact and having a lovely matching patina with the hour and minute hands. This generation of dial with the small Daytona printed in the top quadrant and not in red above the hour counter is also interesting in that there is a lacquer coat on top of the sunburst finish. This dial finishing process was abandoned by Rolex on later production models like the 6263 and 6265, the Oyster successors of the short run 6240, and on this dial it leads to a pearlescent quality with a glowing, subtle rainbow effect at certain angles like mother of pearl or petroleum floating on water that I find very unusual and attractive.

Stock photo from watchonista.com

Stock photo from watchonista.com

Inside the watch is of course a redoubtable Valjoux 72 manual wind column wheel movement. Now, these Rolex Valjoux 72 chronos are sometimes bashed for using such a ubiquitous movement while paradoxically they also have their use by Rolex highlighted to jack up the prices of other Val. 72 chronos (“Sure it’s a Wittnauer but the movement is the same as in the Rolex Daytona!”). But to say that the Valjoux 72 in a Rolex Daytona is the same as those found in so many other chronographs of the 1960s is not really accurate. Rolex by this time was using their own proprietary balance incorporating a Breguet hairspring and microstella screws for finer regulation and greater accuracy and robustness. This is why Rolex Valjoux 72 iterations go through a dizzying array of caliber designations in a relatively short time. From the time Rolex began tinkering with the balance in the early 60s, you’ll find that the stamp changes from simply 72 (or VZ if much earlier) to 72A, 72B, 722, 722-1 and eventually 727 in the early 1970s. Most experts feel that the 6240 could have come with the 72B, 722 or 722-1 and mine has a 72B, which for me fits the early serial number, as it is the oldest variation in that sequence.

6240-angl-cls

So all that backstory accounted for why is this Daytona a keeper for me? Well, for one thing it’s a relatively rare reference as far as Cosmographs go, perhaps the third most uncommon model reference behind the extremely short run ref. 6262 pump pusher model and maybe the pump 6264. It’s certainly the rarest screw pusher model. And since it is also the first screw pusher Rolex chronograph that also makes it a bit special, as it represents a significant technological innovation in chronograph design. Obviously I love the look — it’s very clean and mid-60s with the simple, elegant bar markers and elongated stick hands. The way the black acrylic Tachy insert plays off against the black subdials is magic, not to mention that shimmering quality that the silver sunburst dial has due to the lacquer coat. At 37mm it’s a perfect size in my estimation, fit for any occasion casual or formal, and it’s also in all-original condition. And frankly it’s a premier Rolex Grail-type watch to other collectors, a prestigious reference that is simply difficult to come by in the watch world and a true blue chipper seemingly immune to the whims of fad or fashion. Because let’s be honest — status is not inconsequential to the pieces we choose to keep in our collections, whether we think we’ve found a sleeper or whether we’re buying into an established hierarchy of elite watches. Fair or not, the Rolex Daytona is widely considered the king of vintage chronographs and the 6240 is right up there with anything that isn’t a PN or Killey.

6240-brochure

Lastly, with the honest admission that money is always a part of the equation, when I bought the watch I felt I paid a small fortune because for me it was. But it was right after the bubble had burst post-Revolution in mid-2009 (not to mention post-housing bubble) and actually Daytona prices were a bit soft. Since then they have more than recovered and lately they seem to have gone bananas again, as with so many nice vintage mechanical chronographs. So on the one hand it remains a solid investment and on the other I probably couldn’t afford to buy it again. It was a stretch nine years ago but nothing like the stretch it would be now and I’d have a hard time justifying spending that kind of money on one watch, no matter how fantastic. So I’m happy to have bought it when I did even though it was still a hell of a lot of money at the time.

CosmoWrst-3 copy

All these factors add up to the sum total of why I keep any watch in my permanent collection: beauty and aesthetic appeal first; then desirability and overall importance within the watch world; and then monetary considerations. For me, this 6240 Daytona Cosmograph also marks a milestone in my collecting life where I saw a watch from my ultimate wish list and converted it into something I actually owned and could wear anytime I wanted. It still gives me a thrill every time I see it, wind it up & strap it on and I still feel a sense of accomplishment as a watch collector by having it in my collection. And isn’t that really be the definition of a Keeper?

Men’s Cologne — Vintage by John Varvatos

Vintage by Varvatos is forever linked in my mind with Burberry for Men because of when I purchased the two just as I began exploring new colognes again after years of only wearing Armani Eau Pour Homme. It’s not that they’re overly similar to each other although they are both solid masculines — there’s no mint in Vintage, which is the dominant note in Burberry for Men, and the lavender accord is also much more pronounced in the latter. The Burberry is a mid-90s creation while Vintage is from 2006. But they both represent an excellent “beginners” men’s cologne. If that sounds like I’m damning them with faint praise or being condescending I can see how it could. But it also reflects my personal evolution and how my tastes have evolved and deepened, to be honest, as I’ve tried dozens of scents since dipping a toe in the water with these two readily available offerings. That Varvatos Vintage, like Burberry Men, smells very good is without question. It’s just that I’ve come to reach for the more imposing and uncompromising men’s fragrances like Antaeus, Balenciaga Pour Homme and De La Renta’s Pour Lui for nighttime use and Dunhill, Gucci Nobile and Lauder for Men in the day. So for me that now leaves Burberry Men and Varvatos Vintage kind of the odd men out.

suede

But if Vintage is not quite up to the level of those aforementioned classics in my opinion (and obviously my old school sensibilities are showing), it is nonetheless more than a solid modern offering and versatile enough for day or evening wear. The flacon itself, a typical design from the house of Varvatos, looks like a rum smuggler’s personal flask with it’s dark brown glass, wide oblong form and textured leather wrap. Mine is a big one at 4.2 ounces (they also make it in 2.5 ozs) and although they’re certainly not giving it away, it still represents very good value for money when taking into account the obviously high quality of the juice itself. Much like the mint in Burberry Men gives that cologne it’s signature note, in Vintage it’s the opening note of quince that grabs your attention upon first spritz. There’s also sweet-spicey rhubarb and herbal basil in that opening and if the those all sound like a strange mix the effect is actually pleasantly boozy. Probably the hint of artemisia/wormwood contributes to that liqueur-like effect, as does the requisite juniper and initially low key cinnamon of this categorized woody chypre. Those unusual but very pleasant top notes are never loud or overpowering but instead swaddle the wearer in a very pleasant cloud of soft leathery sweetness, like new suede jacket.

PipeTobacco

The brighter top notes tend to dissipate after about an hour, though generally the heart remains consistent with the opening despite promises of jasmine and lavender in the note pyramid that I don’t really detect. I do get those green leafy accords but as for claims of balsam fir and patchouli in the base I don’t really get any of those either. Polo Green or Givenchy Gentleman this ain’t. What this does evolve into in the dry down is a nice tobacco scent, not green and bitter like Quorum, but rich and refined like Cavendish pipe tobacco. For me, that heady, boozy open gently transforms into sweet unlit moist pipe tobacco just like opening a tin of the stuff, with more than a touch of that cinnamon coming back around to spice up the mix.

Sillage is moderate making this an OK choice for work if a bit on the sexy side for an office setting. Better yet is nighttime when this warm fragrance shines or in casual day situations where a leather jacket is more appropriate than a blazer like a weekend motorcycle ride or a cigar and some aged rum on the porch. Longevity, despite a lot of griping on the forums, is decent at around 6-7 hours, although very late in the dry down the whole fragrance seems to lose cohesion (much like the modern Burberry for Men actually). It’s then possible to detect some of the chemical alchemy that was used to construct such a traditionally manly fragrance in the age of IFRA restrictions on natural elements like real oakmoss. Nevertheless, this is an unmistakably manly cologne and never fails to get a positive response from my wife even if she can no longer keep up with what I’m wearing on any given day due to my now-extensive collection. She will invariably say “Ooh, what’s that one again? I really like it!” So for that kind of fairly rare compliment factor I’ll probably always keep Vintage in my rotation even as I’ve become ever more enamored of ballsy retro-powerhouses. And really some of those I wear only for my own pleasure, as they are so strong and strange that they go completely against the modern grain (I’m looking at you Lapidus, you beautiful beast). So yes, Varvatos Vintage is a safe pick but also very good and thankfully not boring. It’s effortlessly manly, a people pleaser and also very enjoyable for the wearer. If I now prefer true vintage formulas to this titular Vintage that’s more a reflection on my own idiosyncratic and evolving tastes rather than a judgement on the fragrance itself. Because Varvatos Vintage is more than a merely acceptable scent. It’s a solid modern offering with a distinct masculine persona and I highly recommend it for any man who wants to smell good but not generic, whether they’re a newcomer to men’s colognes or otherwise.

tomvox1’s Watches for Sale — February selection

I consider myself a true vintage watch guy so it’s not often that I offer a modern watch… but when I do it’s a stunner. And so it is to start February with this amazing Vacheron Constantin Overseas “Deep Stream” Automatic. This gorgeous and avant-garde discontinued modern classic comes as a full set with complete boxes, open papers & VC passport, tags, USB stick user’s manual and two great straps — classy crocodile and sporty rubber.

VCOverseasDeepStream-BP2_copy2

This limited production Deep Stream version of the second generation Overseas line from the storied house of Vacheron is characterized by a sunburst finished anthracite gray dial that changes tone in different light & a sexy titanium bezel that contrasts with the 42mm stainless steel case. The dial also has handsome stylized white gold quarter-Arabics, as well as sword and dagger-style hands, both of which feature strong Super Luminova luminous elements. Along with its 150 meters of water resistance that makes this a genuine tool watch, albeit an extraordinarily elegant and distinctive one, suitable for either a day’s fishing or a proper yacht race.

VCOverseasDeepStream-5 copy

As the new Gen III Overseas with in-house movement, scaled down case & more conventional styling cues comes online this year after its intro at Basel 2016 there is already a lot of love being shown for these more aggressive, macho Gen II Overseas models. I’m sure the debate about which model is better looking will only intensify over time. But one thing’s for sure: Vacheron won’t be making any more of this one so grab it while you can!

VCOverseasDeepStream-paps copy

Check out the complete ad over at RolexForums.com’s Non-Rolex Classifieds section, as well as other select sales corners, for a full condition report and many more pictures. ON HOLD

tomvox1’s Watches for Sale — December selection

You know December’s finally arrived when the air has gotten genuinely cold and the Holidays are just around the corner. And as long as we’ve all got visions of beautiful gifts on our minds it’s probably not a bad thing that I have an abolsutely gorgeous Rolex on offer this month. An uncommon transitional Datejust with old-style acrylic crystal and beautifully warm Tritium luminous but with the high-beat, quickset date caliber 3035 under the hood, this circa 1979 reference 16030 is pretty much the best of both worlds — old school, classic good looks with the functionality of a more user friendly, more accurate movement than previous Datejust models.

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Even better than its technical sophistication is the absolutely fantastic silver-gray dial, a metallic marvel that changes from gunmetal gray to pure silver depending upon the angle. It’s essentially flawless after all these years and looks amazing on the wrist. And with its timeless 36mm case size and Rolex-signature “Castellated” engine-turned bezel, this all-steel stunner can be worn with a suit or a pair of jeans and a T-shirt, making it an ideal daily driver.

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Add to that its really nice tight and long period Rolex USA Jubilee bracelet and the overall Excellent vintage condition of the watch and this transitional 16030 makes for the perfect stocking stuffer for that special someone. Even if that special someone turns out to be you.

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Check out the full ad with complete condition report and many more pictures over at Vintage Rolex Forum’s Market section. ON HOLD