Author Archives: Lord Jim

RIP Bobby Womack, 1944 – 2014

R&B and Soul legend Bobby Womack has passed away at the age of 70. One of the classic “middleweights” of the African-American music scene in the 1960s & 70s, Womack made hugely popular singles that, like Tyrone Davis and Johnny Taylor, charted big time in R&B but did not have the crossover appeal of a Marvin Gaye or Al Green as radio was becoming more & more re-segregated.

Mentored by the legendary Sam Cooke, Womack followed a similar trajectory by emerging from strong Gospel roots to perform “profane” secular music. That connection was further cemented when Womack married Cooke’s widow not long after the latter’s shooting death, a move which many found distastefully opportunistic and led to de facto blacklisting by the music industry. But, as Womack always maintained, it was probably just a case of two people devastated by the loss of the most important person in their lives who found solace with each other.

In any event, Womack recovered after many years in the shadows doing important back up work with the likes of Sly and the Family Stone and Janis Joplin to release two exceptionally strong albmus in the early 1970s, Communication and Understanding. These yielded a string of major hits including “That’s the Way I Feel About ‘Cha”, “Woman’s Gotta Have It” and the quirky “Harry Hippie”. Womack also scored with the socially conscious “Across 110th Street”, the theme to a mediocre 1972 Blaxploitation movie that was reused 20 years later by Quentin Tarantino for Jackie Brownhis excellent homage to that unique genre.

Womack stayed busy and relevent to the end, recording with the Rolling Stones, The Roots, Mos Def and Gorillaz among many others. But it is for his special run of 1960s and 70s hits that he will be best remembered. One thing’s for sure: ain’t nobody gonna forget about Bobby Womack.

His full New York Times obituary is here.

Worst Ad Campaigns — Carfax

There are annoying ads and then there are really annoying ads. The campaign for used car subscription database CARFAX.com has gone from the former, when it used to feature skeezy dealers with a fox puppet trying to dupe buyers, to the latter, with the agency doubling down on the creepy talking Car Fox spokesthingy and introducing a managerie of other critters to help uncover the true condition of potential used car purchases. Because nothing says “reliable detailed research” like a terrifying drop into the Car Fox’s secret high tech lair so talking CGI animals can report back to him about used cars. Or something. Wes Anderson this ain’t, folks.

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I guess you could say it’s a little like a Disney movie with the customers being the nice humans transported into a magic world and the not-very-cute animals reporting on crash history instead of bursting into song. Uh, oh. I hope I haven’t given the creative team a new idea of where to take this damn campaign next. Because if there’s one rule of thumb I have for ads it’s that, along with omniscient talking babies, yappity animals are the worst sort of cheap trick used to obfuscate the lack of a clear, creative message with a cloyingly cutesy mnemonic device. Look, I admit the Carfax-Carfox ploy is so stupid it works on the most annoying level of simple association. But if those helpful little beasties start bursting into elaborate musical numbers I just may throw my flatscreen out the window.

Gorgeous Lady of the Week — Lucy Liu

Lucy Liu has had a pretty long run as one of the sexiest women on the planet. The Chinese-American beauty first burst onto the scene back in the late 90s as the ultra-hot, ultra-nasty Ling Woo on David E. Kelley’s Ally McBeal. Despite deliberately trading on a lot of stereotypes surrounding the cruel yet sensual “dragon lady”, Liu’s character was one of the first Asian females to be featured as a principal character in American television.

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From there it was a one-way ticket to the top, as Ms. Liu was immediately tapped for big budget Hollywood features in 2000 like the Jackie Chan-Owen Wilson vehicle Shanghai Noon and, more importantly, the Charlie’s Angels reboot alongside Cameron Diaz and Drew Barrymore, a huge popular success. She had a key supporting part in the Oscar-winning Chicago in 2002 and then reprised her role as Alex Munday in 2003’s sequel, Charlie’s Angels: Full Throttle.

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2003 also saw her work for auteur Quentin Tarantino on his cult revenge epic Kill Bill (Volume I & II) as samurai sword wielding yakuza boss O-Ren Ishii, the first killer to be crossed off Uma Thurman’s list. Beautiful and lethal, O-Ren’s snowy duel with the Bride is a coup de cinema in a major work that deserves to be revisited. A pale imitation like 2012’s The Man with the Iron Fistsin which she also starred alongside Russell Crowe, shows just how good a movie Kill Bill was in retrospect.

Seeming to get lovelier by the year, Ms. Liu is now an ageless 46 and continues to do important work, returning to television for the critically acclaimed cop drama Southland and the highly entertaining CBS hit series Elementary, where she plays an unconventional Watson to Jonny Lee Miller’s Holmes in New York City. She is also an accomplished visual artist and active in several charities, including as a spokesperson for the Human Rights Campaign. Beautiful, accomplished, pioneering and whip-smart: Lucy Liu is the total package and definitely a MFL kind of woman. In fact, why she hasn’t been a Bond girl is beyond us. Better yet, we think she’d make a killer 008. You’re welcome, Eon Productions.

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Classic Movie Watch — Patton (1970)

Among the greatest of war movies, 1970’s Patton features a mind-blowingly good performance by George C. Scott as the famously colorful WWII general that serves to catapult this epic far above the standard military biopic. The film is not only remarkable for the vivid on-screen portrait of a gifted but notoriously impolitic and ambitious American general helping to turn the tide of war in the United States’ favor but also for the off-screen context of being made at the height of rampant anti-war sentiment in the US and abroad due to the Vietnam War. You would have expected the film to be a hatchet job on an unrepentant warrior from the gung ho past and to reflect the anti-authoritarian zeitgeist of the time. You would also have expected a war-weary public to reject yet another nostalgic World War II movie released at the end of the 60s. Instead, it’s a straightforward yet nuanced portrayal of a seriously flawed but undoubtedly great military leader that earned popular and critical success from the get go with an unapologetically pro-US message. And through the movie we come to see that a man like Patton, a true lover of war who believed himself reincarnated from Roman Legionnaires and Napoleon’s soldiers, should probably be kept in a glass case that says “Break Open in Time of War”. But we also see that it’s surely good to have old soldiers like George S. Patton handy when the stuff hits the fan.

The famous opening sequence, a stylized and also sanitized version of Patton’s famously profane speech to the Third Army, remains one of the movies’ best “grabbers”, as well as one of the most iconic 6 minutes in the history of cinema. And despite Scott’s misgivings that starting with the speech would overwhelm subsequent scenes, that acts as a preamble and the movie gets better from there. It really starts with Patton’s arrival in North Africa to take command of a green and badly demoralized US II Corps after their mauling by Rommel’s Afrika Korps at Kasserine Pass, quickly whipping them into a cohesive fighting unit ready to take on the seasoned and highly accomplished German troops. By utilizing Rommel’s own tank tactics against him, we see the revitalized Americans fight back via impressive large scale armored tank battles thundering from the oversized 65mm widescreen print.


Continue reading

What we’re reading — The Sun Also Rises by Ernest Hemingway

If at this point in your life you have still not read The Sun Also Rises there’s no need to berate yourself. The great thing about great books you have not yet read is that you are in for a treat when you finally do get around to them. After all, if we had already consumed every iconic novel we might be awfully accomplished but it would also take away that magical frisson that comes from the first-time discovery of something really special.

Of course, if you have read Hemingway’s first full-length novel before you’ll know that it’s well worth revisiting, as we here at MFL do nearly annually (especially in Spring/early Summer). With his revolutionarily sparse prose and frank descriptions of human weakness, sexuality and folly, as well as the beauty and honor aspired to and attained by doing something skillful honestly and well, The Sun Also Rises ushered in a new era of American fiction and spawned a million imitators. Memorably capturing the post-World War I zeitgeist in expatriate France & Spain, where the strong American dollar in the 1920s could enable even struggling artists and writers to live very well, the novel follows wounded veteran and journalist Jake Barnes, embodiment of the so-called Lost Generation, as he consorts with the upper class dilettantes and salt of the earth residents who made Paris and Pamplona such fascinating milieus. Continue reading

Notable passings — Tony Palladino

In memoriam of a family friend of tomvox’s we post this New York Times obit of self-taught graphic arts legend, one of the true “Mad Men” in 1960s and 70s advertising and a stalwart at the School of Visual Arts for over 50 years, Tony Palladino.

Tony Palladino, Designer of ‘Psycho’ Lettering, Dies at 84

Tony Palladino, an innovative graphic designer and illustrator who created one of the most recognizable typographic titles in publishing and film history, the off-kilter, violently slashed block-letter rendering of “Psycho,” died on May 14 in Manhattan. He was 84.

Mr. Palladino’s conception for “Psycho” originally appeared on the book jacket for Robert Bloch’s 1959 novel of that title, published by Simon & Schuster. For his 1960 film adaptation, Alfred Hitchcock purchased the rights to the lettering for its promotion, which influenced the opening credit sequence created by Saul Bass.

Mr. Palladino said the design — stark white letters torn and seemingly pasted together against a black background to resemble a ransom note — was intended to illustrate typographically the homicidal madness of the novel’s protagonist, Norman Bates.

“How do you do a better image of ‘Psycho’ than the word itself?” he said.

Read the complete NY Times obituary for this highly accomplished man here.

MFL is goin’ mobile

We know a lot of you do your blog reading on a mobile device and we wanted to make that experience cleaner, quicker and richer (as they say in browser-speak). So we’ve created a mobile version of the site that’s easy to navigate and easy on the eyes, making it a breeze to track topics at a glance with associated thumbnails. You don’t have to do anything on your end, just continue to go to our bookmark on your mobile device and the new format will automatically kick in. And of course you can still access the full desktop version from a link at the bottom of the page if you prefer.

We hope this makes it easier for you to keep up with MFL and a more enjoyable experience when you’re on the go. And we’ll keep striving to constantly improve the site with our readers in mind — however gradual that may be since we are mainly a pack of beer drinking luddites — because we appreciate you spending a little of your valuable time with us. Thanks as always for dropping by and we hope you enjoy MFL mobile.

And now for putting up with such a dry blog announcement, without further ado, here’s The Who:

Notable passings — Walter R. Walsh

Introducing a new feature here on MFL to celebrate some truly amazing men who may not be “famous” in the general sense of that word but who have made a significant impact on the world at the time of their passing. These are men whose exploits, adventures and expertise we can admire and possibly even emulate but never duplicate. In short, they embody the very definition of a life well lived and we salute them and honor their accomplishments. Their like won’t come again and it’s important that we recognize and celebrate their deeds.

From The New York Times, the story of one of the baddest good guys you could ever hope to meet and a marksman nonpareil:

 

 (Courtesy of American Rifleman Magazine)

Walter R. Walsh, a world-class marksman who shot clothespins off laundry lines as a boy and went on to become an F.B.I. legend in shootouts with gangsters in the 1930s, an Olympic competitor and a trainer of generations of Marine Corps sharpshooters, died on Tuesday at his home in Arlington, Va. He was 106.

His son Walter confirmed the death.

Mr. Walsh was still winning handgun awards and coaching Olympic marksmen at 90, and aside from some hearing and memory loss, he was fit and continued to live alone at home. At the centennial of the Federal Bureau of Investigation in 2008, he was recognized not only as the oldest living former agent, but also as older than the organization itself by more than a year.

He joined the F.B.I. in 1934, a short, feisty James Cagney tough guy fresh out of Rutgers Law School. A natural left-hander, he was already a dead shot who could cut the center of a bull’s-eye at 75 yards with a rifle and blaze away at moving targets with a pistol in each hand — an enormous advantage in a bureau that was just breaking in its first class of agents authorized to carry guns. Continue reading

Gorgeous Lady of the Week — Jessica Paré

With the iconic 1960s advertising series Mad Men winding down to its final episode, it seems entirely fitting that we pay tribute to one of the loveliest actresses to grace that or any other television series, the stunning Jessica Paré. With her lean and lithe body, huge green eyes gazing out from above high cheekbones and mischievous gap-toothed smile, Ms. Paré is at once a classic beauty and a unique one.

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A native of Montreal, Quebec, the 33-year-old ingénue was raised bilingual in French and English and caught the acting bug as a child helping her father, a drama teacher and actor, rehearsing his lines. She quickly found success in Canada with 2000’s satire about beauty and fame, Stardomopposite Dan Ackroyd. This led to more featured roles in 2001’s adolescent lesbian love story, Lost and Delirious, and her Hollywood debut in 2004 as Josh Hartnett’s jilted fiancé in Wicker Park.

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After keeping busy if not quite breaking through in subsequent years with good parts in the TV series Jack and Bobby, the vampire comedy Suck and memorably topless in Hot Tub Time Machine, Jessica made a massive impact when she debuted as Megan Calvet in 2010’s Season 4 of Mad Men. Looking stunning in mod costume, Jessica imbued her fellow French Canadian character with coltish naiveté balanced by observant ambition. In short, Megan Calvet was a revelation and it’s no wonder Don Draper proposed to her after she was so good with his kids in Disneyland despite it shattering the lovely and intelligent market researcher Faye Miller’s heart (played by the lovely and intelligent Cara Buono). And in a case of life seeming to imitate art, or at least art imitating itself, it seemed as if the show ditched January Jones in subsequent seasons almost as completely as Don ditched the former wife, Betty, that she played to such early fame.

Semi-Exclusive... Jon Hamm & Jessica Pare On Set in Hawaii

With Megan separated from Don in Hollywood and the entire cast of characters facing an uncertain future at the dawn of the 70s, Jessica Paré has done her finest, most emotionally challenging work to date this season. We’re not sure where she’ll pop up next but we’re fairly certain that even bigger things are on the horizon for this brunette beauty. We’ll certainly be watching the final Mad Men episodes with interest and hoping that certain Charles Manson/Sharon Tate-related rumors about her character’s fate are not true. And if we were lucky enough to be Megan’s chosen mate, we’d probably give up New York for the sunny L.A. climate and that beguiling, uncorrected smile. Heck, we might even give up advertising entirely. It’s not that hard with such a sweet incentive.



Gorgeous Lady of the Week — MyAnna Buring

Yet another Swedish beauty, although this time by way of England, you may not know MyAnna Buring‘s name yet but you’ve probably seen her elven visage on several of BBC-TV’s & BBC America’s most popular shows. The 34-year-old MyAnna was born in Sweden but was raised primarily in the Middle East before immigrating to Great Britain at the age of 16. After graduating from the London Academy of Music and Dramatic Art, she had her first big role on a 2-part episode of Doctor Who in 2006.

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Thereafter, she alternated theater work with English television roles on shows such as Midsommer Murders and Inspector George Gently. Her international breakthrough came in the omnipresent tween blockbuster series, Twilight, where she appeared amongst the vamipres and wearwolves as the reformed succubus, Tanya, in Breaking Dawn, Parts 1 & 2.

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After that popular success, MyAnna had a banner year in 2012. She landed a featured part on the runaway hit, Downton Abbey, as the striving, social climbing maid Edna Braithwaite who uses her sexual wiles on widower Tom Branson in an attempt to climb above her station. And she also won the principal role of the alluring but tough-as-nails brothel madame, Long Susan, on the excellent 19th-century crime drama, Ripper Street. In this latter role, the pixie-sized Ms. Buring uses her beauty and fierce unsentimental intelligence to dominate both men and women to further her ambitions. Are we sensing a pattern here?

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She is slated to be one of the leads in BBC’s new period series, Banished, currently in pre-production for a 2015 debut and intruiguingly set in Australia during the 1700s as England established its penal colony on that continent. We can only hope that despite her indisputable success on British TV that she will continue to grace us with her beauty on more projects here across the pond. It seems decidedly unfair of the BBC to keep such luminous natural beauty all to itself. In short, may we have some more MyAnna, please?

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