And I mean the whole album, Miles’ first for Columbia in 1955, and not just the admittedly fantastic Thelonius Monk track “‘Round Midnight” that opens up this seminal work.

With Davis on trumpet, Coltrane on tenor sax, pianist Red Garland, bassist Paul Chambers and Philly Joe Jones on drums, this was the archetypal 1950s quintet’s maiden voyage and set the tone for a massive outpouring of now-classic music that filled four more smokin’ albums in quick succession (Cookin’, Workin’, Relaxin’ and Steamin’).

As the session that started it all, the newly patented mix of Cool and Hard Bop sounds magically intimate, warm and almost casually virtuosic and ‘Round Midnight still has that “breaking of a new dawn” kind of effect even today. From the not-quite-eponymous opener to the gorgeously aired out “Dear Old Stockholm” to the telepathic “Bye-Bye Blackbird”, this 10-track masterpiece is an album that belongs in any serious music collection, Jazz-focused or otherwise. It creates an inspired mood all its own, whether you’re on your own, entertaining friends or wooing that special someone. It never disappoints and always sounds fresh. How many things can you say that about?