Tag Archives: Classic Literature

Documentary view — Salinger

One of the literary world’s great mystery men, J.D. Salinger famously disappeared from public view in 1965, when his last work was published and 14 years after the release of The Catcher in the Rye, arguably the most influential novel of the post-World War II era. Immensely private almost to the point of mania, Salinger’s opaque personal history and life in seclusion have fascinated generations of fans, literary peers, critics and the media. Shane Salerno’s 2013 documentary Salinger, which can be viewed via streaming with a Netflix membership, attempts to “find” the reclusive author by investigating and fleshing out his pre-fame life and examining the motives behind his self-imposed exile after achieving literary immortality. For the most part, it succeeds extremely well at this daunting task.

Not a great documentary but a pretty damn good one, Salinger features interviews with lifelong friends and acquaintances dating back to his pre-WW II days in New York City when he was just an aspiring writer striving for success and any sort of recognition. Significantly, it explores his engagement to the fetching debutante Oona O’Neill, Eugene O’Neill’s daughter, who eventually dumped Salinger for the much older Charlie Chaplin. Shortly thereafter Salinger was sent to Europe as a combat soldier in the Army. Salinger saw action on D-Day, in the Battle of the Bulge, the Battle of Hurtgen Forest and was at the liberation of one of the Dachau concentration camps. The documentary posits convincingly that it was these twin traumatic experiences, particularly his harrowing war service, which informed all his future work and lead to his compulsive focus on unspoiled youth, eventually driving Salinger to seek to create and control his own private universe.

It also chronicles how he was constantly submitting to and being rejected by his dream venue, The New Yorker, before during and after the War, even as he achieved modest success in the so-called “slick” magazines. He finally found a sympathetic figure at the The New Yorker in fiction editor William Maxwell, who agreed to publish “A Perfect Day for Bananafish”, which became a major success. It also introduced the world to the brilliant and strange Glass family through its troubled eldest son Seymour Glass, a shell-shocked war veteran. The history of the Glass family would later become Salinger’s lifelong obsession. But before that detour, several more short stories were published by the New Yorker, including “Uncle Wiggly in Connecticut”, which Salinger eagerly optioned to Hollywood for a film version. The result, a Dana Andrews-Susan Hayward romantic vehicle retitled My Foolish Heart, was so unfaithful to his original story that Salinger never again allowed a film version of his work despite his obsessive love of cinema and constant entreaties from producers, directors and actors.

the-catcher-in-the-rye

But if Salinger was smarting over Hollywood’s betrayal he put that anger to good use, channeling his rage at the “phonies” into the archetypal youth novel, The Catcher In the Rye. Continue reading

What we’re reading — The Sun Also Rises by Ernest Hemingway

If at this point in your life you have still not read The Sun Also Rises there’s no need to berate yourself. The great thing about great books you have not yet read is that you are in for a treat when you finally do get around to them. After all, if we had already consumed every iconic novel we might be awfully accomplished but it would also take away that magical frisson that comes from the first-time discovery of something really special.

Of course, if you have read Hemingway’s first full-length novel before you’ll know that it’s well worth revisiting, as we here at MFL do nearly annually (especially in Spring/early Summer). With his revolutionarily sparse prose and frank descriptions of human weakness, sexuality and folly, as well as the beauty and honor aspired to and attained by doing something skillful honestly and well, The Sun Also Rises ushered in a new era of American fiction and spawned a million imitators. Memorably capturing the post-World War I zeitgeist in expatriate France & Spain, where the strong American dollar in the 1920s could enable even struggling artists and writers to live very well, the novel follows wounded veteran and journalist Jake Barnes, embodiment of the so-called Lost Generation, as he consorts with the upper class dilettantes and salt of the earth residents who made Paris and Pamplona such fascinating milieus. Continue reading

Merry Christmas, Part II

And for those who prefer their Christmas entertainment traditional, there is probably no better cinema Christmas Carol than the 1951 Alastair Sim version directed by Brian Desmond Hurst. This adaptation is every bit as faithful and moving as Dickens could have wanted.

http://www.youtube.com/watch?v=9ERtv_CC_nY

Merry, Merry and how’s that goose coming? I’m starved!

What we’ve read this summer– From Here to Eternity by James Jones

It’s no coincidence that on the last day of August we’ve only just finished our summer reading of From Here to Eternity by James Jones. The text of this seminal 1951 military novel clocks in at a whopping 896 pages. And yet it rarely fails to captivate.

Set in and around the Schofield Barracks near Diamond Head in Honolulu, Hawaii in the months leading up to the Japanese attack on Pearl Harbor, From Here to Eternity tracks the lives of several soldiers and their women in this last peaceful period before WWII. Principal among them are Private Robert E. Lee Pruitt and First (“Top”) Sargent Milton Warden. Pruitt is a poor Kentucky boy who enlisted in the Army after escaping the mining town that consumed his parents and bumming around during the Depression. His aim is to be a “30-year-man”, a career soldier, because he loves the ideal of the Army, the camaraderie of the men and the art of soldiering. It is really the only true home he’s ever known. Continue reading