What we’re listening to today — Do It Again by Steely Dan

I admit that I blow hot and cold on Steely Dan. There is something just so… L.A. about them, so very arch. Their lyrics are so damn in-the-know that they come across like the guys in the private room in the back doing blow. And you’re not invited behind the velvet rope. They legendarily named their band after a sex toy from Burroughs’ Naked Lunch, for chrissakes. That said, you can’t argue with their sterling musicianship. Before Steely Dan became a huge success, the core members Walter Becker (bass) and Donald Fagen (guitar) worked as a backup band for Jay and the Americans. And those two, who were really the only constant through the years, always had a special knack for picking ace talent to make up the rest of the band with a particular affinity for Jazz influences. A song like “Do It Again” from their 1972 debut Can’t Buy a Thrill shows their chops off to subtle perfection.

With its loping beat and intricate raga-like guitar and percussion, I associate “Do it Again” with palm trees, warm sea breezes and a cold rum drink. Or maybe a drug deal gone bad. Famously averse to live performance, here’s an early live version of the band with David Palmer singing lead for the unwilling Fagen.

http://www.youtube.com/watch?v=NC7n4G5f1A4

The singing isn’t much to write home about — Palmer soon left the group and Fagen found his courage shortly thereafter, although he and Becker would always prefer the studio. But that magical groove is something else again.

Classic Movies We’re Watching — Seven Days in May

When it comes to paranoid film thrillers, the 1960s and 70s were the golden age. And John Frankenheimer’s 1964 classic Seven Days in May was perhaps the grandaddy of them all. Now, you can argue that Frankenheimer’s undisputed masterpiece The Manchurian Candidate, released two years earlier, was actually the prototype for the cinema’s soon-to-be omnipresent conspiracy-minded neurosis. But while Candidate does involve a horrifying plan to bring down the US government, the key difference is that in Seven Days in May that threat is coming from inside the country.

Burt Lancaster as General James Mattoon Scott & Kirk Douglas as Colonel Martin “Jiggs” Casey

Spoilers below the fold…

Continue reading →

The Allure of Military Watches — Dodane Type 21

Aviator’s chronographs are among the most attractive of vintage military watches, as they tend to come in larger cases and have distinctive dial configurations for easy reading during missions. And hey, who doesn’t like a chronograph, right? Among the most storied pilot’s chronos are the Type XX and Type XXI, originally designed by Breguet in the 1950s for the French naval and air forces. Today, issued versions of those original watches, which Breguet produced in very limited numbers despite over a decade of manufacture, are among the most highly prized MilWatches out there and can routinely fetch $20k or more.

Early Breguet Type XX (Image from the excellent ablogtowatch.com)

But the “Type 20” and “Type 21” designations were more of a military specification than a proprietary one, so Breguet was not the only manufacturer to produce these watches for the French armed forces. Which is a good thing for the collector because the “off brands” that were supplied are just about as attractive and can be found in the $2500-3500 range give or take, a helluva lot easier on the wallet. Among the other suppliers (or at least producers) of “Type” aviator cronographs were Auricoste, Vixa and Dodane (Mathey-Tissot also produced what is essentially a Breguet clone but these are both super scarce and damn expensive in their own right). Click here for an excellent overview of French Military Type chronographs hosted over at FinerTimes.com.

Since I am the proud owner of a Dodane Type 21, I figure I’ll show it off and go into detail on this model in particular, although it is no better or worse a choice than any of the others in its price range. First off, one of the things that makes a Type 20 or 21 is a flyback feature added to the chronograph mechanism. Continue reading →

What we’re listening to today — Good Vibrations by the Beach Boys

Seeing as we here in the Northeast and much of the rest of the US are locked into a seemingly endless cycle of winter, the only thing one can do is dream of warmer days and hope they’re not too far away. And what more summery music is there in the Rock canon than that of The Beach Boys?

http://www.youtube.com/watch?v=d8rd53WuojE#aid=P-C2QsFwcWs

One of Brian Wilson’s archetypal pocket symphonies, “Good Vibrations” is perhaps The Beach Boys best song and arguably one the greatest tunes ever recorded in any genre. It was certainly one of the most expensive songs in its day, costing an estimated $50,000 in 1966 dollars in studio and musician fees and took roughly 6 months to be completed to Brian’s satisfaction. It captures the group at their artistic peak and before Brian became completely lost in endless tape loops and overdubbing and psychotropic drugs. Released directly after and somewhat mysteriously left off of the Beach Boys’ masterpiece, Pet Sounds, it seemed to point the way to limitless possibilities as the band and their artistic leader vied to out-duel the Beatles for pure sonic invention. But the rivalry and visionary music in Wilson’s mind could not be reproduced to his satisfaction with the studio technology of that time and the legendarily messy and drug infested recording process of Pet Sounds’ planned follow-up, SMILE, led to confusion and musical cul de sacs. The sessions and tracks became so expensive and chaotic that eventually they had to be pared down and released as the bastardized Smiley Smile, on which the single “Good Vibrations” was finally included but clearly is not really a part of. Smiley Smile was, therefore, an ambitious yet truncated album of beautifully produced but oddball compositions with limited commercial appeal. The old Surf Rock fans didn’t like the new impressionistic vibe and the Rock intelligentsia, while appreciating the technical ambition and mastery of such tracks as “Heroes & Villains” and “Wonderful”, were decidely unimpressed by an overall sound that Jimi Hendrix derided as “psychedelic barbershop quartet.” The coup de grace for Brian Wilson came with the release and massive critical and popular success of the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band just after the original SMILE was being shelved. Wilson conceded the concept album competition to the Liverpudlian champs and began his rather rapid decent into drug-fueled madness and artistic decline.

http://www.youtube.com/watch?v=NmLel0G4QQU

But what music he and the Boys made before the crackup! And it’s just what us polar vortex-blasted souls need to carry us through until the crocuses sprout, the days grow really long and warm, the barbecue is fired up again and the baseball season starts. Wouldn’t it be nice to strip down to our shorts, crack a beer and get some sun? You’re damn right it would.

Gorgeous Lady of the Week — Malin Akerman

What is it about Swedish beauties that stirs the, um, soul? Take the lovely Malin Ackerman. She made an indelible impression in Zach Snyder’s remarkably faithful (with one major exception to the deus ex machina) 2009 film adaptation of Alan Moore & Dave Gibbons’ paranoid 1980s graphic novel masterpiece, Watchmen. Dressed up in a kinky bumblebee-colored latex costume and sporting a brunette wig, Malin’s Silk Spectre was the kind of sexy superheroine dreams are made of (though not it you’re a bad guy — then you just get your ass kicked).

While she’ll never be confused with greats like Ingrid Bergman or Liv Ullman in the acting department, Ms. Akerman does tend to light up the screen whenever she’s on it with her classic Scandinavian good looks and playful charm.

Swedish by birth, Malin grew up primarily in Canada. After acting and modeling success there, she made the transition to Hollywood with a good supporting role in Harold and Kumar Go to White Castle followed by starring parts in the Farrelly Brothers’ remake of The Heartbreak Kid alongside Ben Stiller, the formula rom-com 27 Dresses and her breakthrough in the eye-popping anti-superhero movie Watchmen.

She’s also a rock chick, yet another turn-on, and was lead singer for the Petalstones where she met her now ex-husband, the drummer (of course — but, hey, I said “Ex” at least), with whom the 35-year-old stunner has a son. And while she left the group to focus on acting, that experience undoubtedly helped her accomplished and sexy duet with Tom Cruise singing Foreigner’s “I Wanna Know What Love Is” in 2012’s big budget classic rock musical, Rock of Ages, where both stars do the singing for real.

Malin can currently be seen showing off her comedic chops in ABC’s Trophy Wife alongside Macia Gay Harden and Bradley Whitford. While we’re certainly happy for her success on that funny sitcom, we can’t help but wish it were on a more risque channel like HBO or Cinemax. Because the more we see of Malin, the more we like.

The Original Explorer II — Rolex’s Funky Disco-era Classic

Early 1972 1655 Explorer II (non-luminous "baton" sweep seconds)

Early-version 1972 1655 Explorer II with characteristic dial, non-luminous “baton” sweep seconds and Mk II bezel

One of the most iconic vintage Rolexes out there doesn’t even look like a conventional Rolex. Sure, it’s got the classic 3-piece Oyster case — screw-down crown and back, pressure fit bezel — but the 1970s reference 1655 Explorer II shares very little else with its forebears. Most distinctly, the dial and hands are completely atypical for Rolex designs of that or any other era. Often fondly referred to as the “Disco Ball” by certain wags in England, the dial has an abundance of luminous “check” markers as opposed to the standard dots and bars on most Rolex Sports models such as Submariner and GMT, or the classic semi-Arabics layout of its predecessor, the Explorer.

Classic Explorer ref. 1016 — a distant family resemblance at best

So aside from the somewhat standard if oversize triangle at “12” the dial is an absolutely unique departure for Rolex. Upon closer inspection it is clear that the inner sequence of luminous checks corresponds to 12-hour time while the outer sequence is calibrated to the non-numbered odd-hour hashes of the fixed engraved 24-hour bezel.

Original Explorer II caving ad in French from Jake’s Rolex World Blog

It turns out that the original conception for the Explorer II was as a watch for spelunkers (!), with the highly luminous Big Orange 24-hour hand alerting the intrepid cavers as to whether it was day or night outside. Continue reading →

What we’re listening to today — In a Sentimental Mood

Apologies for the radio silence — we’ve been moving the MFL world headquarters to new digs and as anyone who has moved recently (or ever) knows: it’s a time consuming PITA. But we’ll be back and running up to full strength very soon, have no fear. In the meantime here are a couple of sterling versions of Duke Ellington‘s gorgeous Jazz standard, “In a Sentimental Mood”, to tide you over while we get back up to speed.

The first is by the great John Coltrane accompanied by Ellington himself from their wonderful eponymous album:

And the second is by Coltrane’s nearest rival on the tenor sax, Sonny Rollins along with the Modern Jazz Quartet:

http://www.youtube.com/watch?v=EOYYaBBJr_E

Enjoy that and we’ll be back with our regularly scheduled blogging soon!

One of the hairiest crashes you will ever see…

…occurred relatively early in last month’s Rolex 24 Hours at Daytona, the inaugural race of the new Tudor United Sports Car Championship. And both drivers, Memo Gidley in the Gainsco Corvette Prototype and Matteo Malucelli in the Risi Competizione Ferrari, survived.

Truly, we are living in a golden age of race car safety. Yes, things can always be improved. But just 15 years ago one of these drivers probably would have perished. The fact that neither did is testament to the efforts of motorsports as a whole and to safety pioneers like Sid Watkins and Jackie Stewart. Every driver should say a word of thanks to those persistent crusaders for the ever-improving safety of their road going cars but especially if they are weekend racers, semi-pro or professional.

The Gender Style Gap: Don’t be that guy

At a certain point in a man’s life, most likely as the big 3-0 begins to loom on the horizon, he should probably come to the realization that he can no longer get away with always dressing as if he were back in college on a couch watching football at the frat. This is especially true when escorting his lady for a night on the town or even to the movies. If you are looking like this…

Nice look, K-Fed.

And your lady is looking like this…

Ooh la la, Malin!

You are courting an irreparable style gap and you better reconsider your threads. Y’see when a woman goes to all that effort to make herself lovely, she is going to expect a little effort in return. Particularly as she gets a little older (and you do, too) she is going to start looking around and seeing all sorts of well-dressed and successful gents and wonder why it is you look like a refugee from ‘N Sync circa 2000.

You’ve come a long way, Mr. Timberlake.

It’s a matter of basic respect. When I see a couple out on a date and the woman is dressed nicely and the guy has got on sweats and a backward ball cap I think Wow, dude, make a little effort, as well as That is never going to last. Think about the conceit it takes to believe that you have to put zero effort into your appearance and your lady is still going to find you attractive over the long haul. Put simply, that sort of laziness may fly in your 20s but it rapidly loses its charms as you get older.

But fear not. It’s really not very hard to get yourself looking good without going the “full dandy”. Continue reading →

Remembering Philip Seymour Hoffman with laughter

It’s easy to forget between the sadness of his untimely passing and the accolades for his “heavier” work that Philip Seymour Hoffman was damn funny in comedic roles. In particular, his scenes in 1998’s The Big Lebowski stand out as masterful comic miniatures. He doesn’t have a lot of screen time in the movie but he wrings maximum hilarity out of his uptight sycophant character, Brandt. And his interactions with Jeff Bridges are pretty much priceless.

Notice how many quirky, funny tics and mannerisms he packs into that 2-minute scene. We’ll put another scene where he introduces The Dude to Bunny Lebowski poolside below the fold because it is definitely NSFW. Continue reading →

Man's Fine Life

The Return of the Well-Rounded Gentleman