Apologies for the radio silence — we’ve been moving the MFL world headquarters to new digs and as anyone who has moved recently (or ever) knows: it’s a time consuming PITA. But we’ll be back and running up to full strength very soon, have no fear. In the meantime here are a couple of sterling versions of Duke Ellington‘s gorgeous Jazz standard, “In a Sentimental Mood”, to tide you over while we get back up to speed.
Although “Everybody’s Talkin'” was ironically not actually written by Nilsson, it was clear a major vocalist had arrived on the scene after many years of cult status earlier in the 60s. Of his own material, “One” is arguably his best known and also most successful single.
http://www.youtube.com/watch?v=-nB5VxPOoio
Even so, it wasn’t a huge blockbuster for Nilsson but rather for AOR staple Three Dog Night (as well as a ton of artists subsequently). Their signature blues-rock version reached #5 on the Billboard charts.
Having established himself in a short period as a hot commodity, Nilsson went on to have a huge commercial and critical success of his own with 1971’s Nilsson Schmilsson. Continue reading →
Often overlooked today because of his somewhat lightweight repertoire, Jackie Wilson should still be considered one of the all-time R&B greats. With his soaring range, boundless energy and legendary live performance chops, there’s a reason they called him Mr. Excitement.
After some relatively lean years in the 1970s Wilson’s remarkable 20-year run as a force in pop music was ended by a massive heart attack while performing at a Dick Clark oldies show in 1975. He would never awake from the resulting coma and passed away in 1984. But while Jackie Wilson never quite had the impact of a Sam Cooke, Marvin Gaye, James Brown or Curtis Mayfield due to his inability to evolve into a true Soul singer and adherence to the 3-minute radio single, a good anthology of his recordings belongs in any serious R&B and Pop music collection. It can safely be said that no one has ever sung quite like him. He had such a unique sound, almost operatic, that no one even tried. There was only one Jackie Wilson and when you hear him you can’t mistake him for any other singer in the Pop canon.
There is something about the bittersweet yet unapologetic quality of “Revelry” from Kings of Leon‘s 2008 breakthrough album Only by the Night that always resonates for me.
A lyric like “Just know it was you all along that had a hold of my heart/
But the demon in me was a best friend from the start” sums up that kind of youthful pattern where you can’t help but hurt the other person for the simple reason that you are too busy chasing your own kicks. Call it the selfishness of our immaturity, a feeling that the world and the people in it exist to please us and us alone.
Most of us have got memories of a misspent youth indulging in far too much partying, often at the expense of joys that could have been more lasting and less transitory. One of the keys to maturity as a man is leaving that reckless selfishness behind. But of course the memories of such uncontrolled hedonism linger with us, a constant caution and temptation from our past selves to the men we have (hopefully) become. And sometimes a rock song can bring it all back to crystal clarity once again, those times dreaming of revelry while letting something precious fall away.
Above from left: Mssrs. Jones, Watts, Jagger, Richards, and Wyman in Ireland, 1965.
One of my favourite film genres is music documentaries. They offer a fun insight into the bands, indulging us fans and giving us a glimpse of what went into a certain record or period of time in a band’s career. For me, one of the best music docs of all-time is “Charlie Is My Darling”. There have been a lot of documentary films made about The Rolling Stones over the years. From the seminal concert film “Gimme Shelter” to Robert Frank’s unreleased (but often bootlegged), down and dirty “Cocksucker Blues”, to the nearly unwatchable 2008 bloated disaster of a film by Martin Scorcese, “Shine A Light”. The Rolling Stones have had their magical career covered from every direction, but never so insightfully as in this not often seen film from 1965.
Because my New Year’s resolution is to inflict upon you all the nonsense catchy pop rattling around in my head one song at time…
What is it with Swedish bands and maddeningly sweet, highly contagious tunes? From 2005’s Sing Along with Acid House Kings, “That’s Because You Drive Me” anchors an album of persistently cheerful, decidedly un-moody Scandinavian pop, as if ABBA cross-pollinated with Belle & Sebastian. The original packaging even included a DVD of karaoke-ready videos (which can all be seen on YouTube), hence the “Sing Along” part. Go ahead and join in–you know you want to. Plus, resistance to such determined sunniness is futile, futile I tell you.
Sad news to start 2014: Phil Everly has passed away at the age of 74 from complications due to COPD. As one half of the seminal early rock duo The Everly Brothers, Phil and his brother Don, who survives him, infused country sweetness and peerless harmonies into the fabric of Rock ‘n Roll and arguably helped keep the flame burning for, as well as inspiring, the Beatles and that other great harmonizing duo, Simon and Garfunkel, in that tenuous period between the death of Buddy Holly, Elvis’s induction into the armed forces and the fall of Jerry Lee Lewis. The full NY Times obit is here.
Here are the Everly Brothers singing their first breakout hit for Cadence records, “Bye Bye Love”, at a 1983 reunion concert, showing they had lost nothing in the over 25 years since its original release. As was their custom, as we watch them Phil is on the left and Don on the right:
Here is my personal favorite from their Warner Brothers period, 1960’s “Cathy’s Clown”, from the outstanding Walk Right Back compilation:
And another great smash hit from their Warner’s period, “Crying in the Rain” , performed here when the boys were fulfilling their military service in the Marine Corps Reserve:
http://www.youtube.com/watch?v=TdaX7LG67to
Many have tried but none have succeeded in reproducing the Everlys’ supernatural harmonies. Despite their personal ups and downs through the years, the closeness that Phil and Don displayed on their many hit tracks, that unique quality of two voices remaining distinct and yet becoming one, will never fade away.
This song has been going through my head for days if not weeks. And now I’m inflicting it upon you. So Merry Christmas, I guess.
From Keane’s 2006 emo epic, Under the Iron Sea, “Nothing in My Way” showcases the glam-tinged, piano-driven grandiosity of this English band perfectly, not to mention lead vocalist Tom Chaplin’s stunning tenor range. Is it a little soft overall? Yes, a little. Is it a little “pretty”? Yes. But listen to it once and I have a feeling you’re going to play it again, and probably the whole album too, which is pretty much impeccable in an Elton John-meets-Queen-with-a-dash-of-U2 kind of way. Just one word of warning: unless you are a near-pro singer with a massive head voice range, it might be best not to choose “Nothing in My Way” for your next karaoke excursion lest you crash & burn. It’s a sweetly melodic song that sounds easy enough to sing along with… until you realize you can’t hit half the notes Chaplin can. Love or hate the music, the guy’s voice is certifiably amazing.
Nearly immaculate 66 Jaguar in Sunburst finish (Image courtesy www.fenderjaguar.net)…
There might not be another guitar in the world that has had such a scrappy rise to fame and fortune as the Fender Jaguar. From a debut full of big hopes, to a slow decline into the cheap seats, to a meteoric resurgence that ended in a permanent place in guitar history, the Jag has had quite a ride so far. Equally loved and hated by guitar players and collectors, the Jaguar is a one of a kind guitar, and my personal all-time favourite.
Amazing condition 1965 Jaguar in very rare Charcoal Frost finish (Image from Jay Rosen)…
A Quick HIstory-
Introduced by Fender in 1962, the Jaguar came loaded with all sorts of bells and whistles, and was meant to be Fender’s new top-of-the-line model (priced accordingly higher than a Stratocaster!) For better or worse, this plan didn’t succeed. Most customers felt the Jag was a bit too flashy or weird looking, and the Stratocaster remained the king of the Fender line-up. Fender then began marketing the Jaguar largely as a “Surf Guitar”, as Brian Wilson and The Beach Boys were known for playing them at the time. They also tried to lure customers in by offering custom nitrocellulose lacquer finishes for a 5% add-on to the sticker price. But alas, even the cool finishes couldn’t do much to boost the popularity of the Jaguar. By the late 60’s the Jaguar had been relegated to the backseat of Fender’s line-up, and production of the original guitar finally ceased entirely in 1975.
The death of the great man Nelson Mandela has brought back a torrent of memories from my youth, when Apartheid was still the law of the land in South Africa and Mandela was still in prison. No one then could conceive of the astonishing turn of events that would see Mandela one day lead his nation. But I do remember the strong feeling that Apartheid was doomed sooner than later. And as Lord Jim referred to the other day, a lot of that optimism derived from music as a form of social awareness. In my case, the music of Johnny Clegg with Juluka and Savuka was a particular inspiration, especially the beautiful “Asimbonanga (Mandela)”.
http://www.youtube.com/watch?v=V3LLcikA8-M
To hear a white South African leading traditional Zulu ensembles in overtly anti-Apartheid music was particularly powerful, especially since interracial bands were illegal in South Africa at the time. Despite the official crackdown on Clegg & his bands, including arrests, breaking up their concerts and blacklisting them from radio play, Juluka and Savuka became hugely successful acts in Europe and the music trickled over to America in the “World Music” movement of the 1980s. That is where I first was exposed to it, in high school, as a natural extension of the curiosity inspired by the World Music explorations of Peter Gabriel, Paul Simon and David Byrne among others. I was able to get a cassette copy of Juluka from a friend and “Scatterlings of Africa” was very often on my stereo throughout the school year.
