Category Archives: Guy Style

tomvox1’s Watches for Sale — June selection

We are surely ending the month of June with a bang because have I got something special for you haute horology buffs. Up for sale on consignment is this absolutely stunning Patek Philippe reference 2552, aka the true “Disco Volante”. A marvel of mid-century engineering inside and out, the Disco Volante gets its name from its large, round 36mm diameter and tall, double-stepped bezel, making it look a bit like a flying saucer. Though that said, it’s definitely more suited to black tie than Area 51.

Of course this heavy yellow gold classic 1950s men’s dress watch is beautiful on the outside, as you’d obviously expect, with a stunning original eggshell dial that has acquired a gorgeous ivory patina through the years. But it might get even better under the hood where you’ll find Patek’s first-ever automatic movement, the legendary caliber 12-600 AT, ticking away. Far ahead of its time when it was introduced, the 12-600 AT features 30 jewels, the Geneva seal reserved only for exceptional calibers, a solid 18k rotor with stunning engine turned engraving that winds in both directions for maximum efficiency, 5 positional adjustments, as well as further adjustments for heat, cold and isochromism, and Patek’s patented Gyromax balance and a top flight Breguet hairspring all beating at a rapid 19,800 bph. And did I mention it is drop dead gorgeous to behold?

This fantastic machine has just been fully serviced for years’ more faithful service to its new owner and this wonderful Disco Volante also comes with a genuine Patek croc strap. Better yet, it has its period correct 18k Patek buckle, too, a valuable accessory in its own right. Continue reading →

Rolex Collector’s Notebook: The mystery of the “Neat Fonts” matte meters-first 5512 Submariner dial

Grateful thanks for this article go to timlua and HQ Milton for kindly contributing their dials and data. Thank you, gentlemen! I’m also especially indebted to the great collector & Man’s Fine Life contributor Beaumont Miller II, not only for sharing his watch photos but also for his invaluable insights about the “Neat Fonts” dial, its place in matte dial chronology and particularly his excellent observations on its similarity to the mid-1960s gilt Sub dials. My heartfelt appreciation for sharing your expertise, my friend — couldn’t have done this without you!

One of the things that makes collecting vintage watches so interesting, and Vintage Rolex in particular, is trying to decode the subtle changes that took place in ostensibly “identical” watches those many years ago. We see evolutions in movements, in cases but most intriguingly we see variations in dial layouts and typography. And just when you think you’ve figured out a dial sequence and its logical chronology, something else out of the ordinary comes along and makes you look at things with fresh eyes.

timlua’s 5512 from the VRF Dial Archive — the watch that put me on the hunt.

Such is the case with what I call the “Neat Fonts” matte meters-first 5512 dial. I first saw this interesting dial several years ago, when a Vintage Rolex Forum member named timlua submitted his mid-1960s 5512 for the Dial Archive. I knew I had to have one… and it took me 8 more years to hunt one down. As you can clearly see and what struck me right away, the printing on this dial is not at all like what we normally see on the first generation of matte meters-first 551x dials.

A standard matte meters-frist dial -- courtesy HQ Milton

A standard matte meters-first dial — courtesy HQ Milton

Those first gen matte dials for the Submariner have always had a particularly “first draft” quality to my eye, with rather scraggly fonts and slightly uneven printing. And it makes sense that Singer, undertaking their first try at this new matte-style of dial manufacture and departing their tried and true gilt/gloss method of dial printing, might have had some teething issues with their printing techniques. But not so the “Neat Fonts” 5512 dial. You can already see the clean typography that would become a hallmark of the later 1960s and early 1970s Singer dials: nicely proportioned, flat-ish bottom Coronet with a small “mouth”; SUBMARINER text very clean with a distinctive snake-like “S”; and the depth rating pretty level with minimal jump to the numbers and open 6s.

In fact, the “Neat Fonts” dial does not resemble the Mark I meters-first Sub dials at all. It actually resembles the pre-Bart gilt/gloss dials of the middle 1960s with their high standards of printing and execution. So much so that aside from the application of the SWISS – T<25 you might even think that Singer used the same dial dye for the process. Perhaps they did after figuring out how to utilize that gilt-era dye/tampon, which featured a reverse printing method, and apply it to the paint-on-top method of the matte dials. But more likely they returned to it as a template for the new matte-style dye and that is why they are so similar if not quite identical.

It also shares some characteristics with the Mark III Red Submariner dial, particularly the fonts for the depth rating, the SCOC text and the odd little feature of the dash in the “SWISS – T<25” not quite being centered over the “30” tick.

Photo courtesy of Beaumont Miller II

Photo derived from Vintage Rolex Forum’s Classic “Everything Red Sub” by Mark Lerman

(If you visit the great site DoubleRedSeaDweller.com you can also see that the SCOC text on the Neat Fonts and Mark III Red Sub is highly similar in format/style to the Mark I 1665 Double Red Sea-Dweller, indicating another connection there.)

Making this iteration even more interesting is that unlike just about every no-date Sub Rolex ever made, the “Neat Fonts” dial is always to the best of my knowledge found only in 5512s and never 5513s. Continue reading →

Men’s Cologne — Terre d’Hermès Parfum

Terre d’Hermès is a strange creation in several respects. This nouveau Woody Chypre is both very popular and highly regarded yet also has a lot of detractors, particularly among the more elite bloggers and taste makers. A thoroughly modern fragrance originally designed in 2006 by Hermès’s in house superstar nose, Jean-Claude Elena, Terre enjoyed a meteoric rise both critically and in terms of high end sales, particularly with guys in their 20s and 30s. And as with so many super successful fragrances, I think that likely led to a lot of blowback from the self-appointed cognoscenti, a la Bleu de Chanel. Purposely designed to be a world away from the then-reigning sweet and aquatic creations, Terre was meant to be a return to something like the citrus-forward/woody-based masculine qualities of Dior’s original Eau Sauvage, only amped up on 21st century steroids. And at least for the Parfum version that is pretty much what you get (full disclosure: I haven’t tried the original Eau de Toilette so there may be more nuance to that version).

The Parfum, which I feel is really more of an Eau de Parfum in terms of actual strength, does come on like gangbusters with a mighty waft of oily orange peel. Some have described a “rotten orange” quality but I don’t get that. For me the orange comes across as fresh, a trifle sweet but really heavily like a big chunk of peel that you’ve just wrung out to drop into your Old Fashioned. The note pyramid states there is grapefruit there at the top, as well, but I feel like the orange is so strong that I don’t really get any of that, which is a good thing in my book because grapefruit in cologne is definitely hit or miss. Almost immediately after this big opening a heavy duty balsamic (as in pine not vinegar) quality muscles its way into the action. It’s green and sharp and plays off the citrus with a bracing effect. Now there’s no evergreen notes listed so perhaps this is a trick of the professed “shiso” and “flint accords,” which I take to mean sort of minty/herbal for the shiso and a sharp high note for the flint, mingling with the cedar-infused “woody notes” in the base. But to my nose I get a definite “pine grove” sharpness commingling with that orange. And maybe that’s just the limitation of my nose… or at least how I perceive the massive amounts of Iso-E Super in Terre, that omnipresent modern chemical stand-in for sandalwood.

And then… well, then it pretty much just stays like that for the duration, which for a Parfum is not overwhelming at around 6-8 hours (there could well be olfactory fatigue at play in that perceived modest longevity — others may well smell it on you longer after your nose has been fried). Now the Parfum pyramid, while still a simple one, claims additional notes of oakmoss and benzoin (a sweet smelling resin of the styrax tree). But aside from vague whispers amidst the shouting of the top notes I don’t really get a lot of those. To my nose, Terre d’Hermès is an extremely linear fragrance, meaning that it essentially stays the same from the time you apply it until far into the dry down. The smell is nothing so much as one of those homemade holiday crafts projects where you stick a whole orange full of cloves, only in Terre’s case you’ve stuck the orange full of pine sprigs and cedar chips.

And while some use this consistently limited two-note quality to bash Terre, I won’t. It is a fairly unique scent and the Parfum version is powerful without being offensive (there are zero animalic notes). The sillage is quite significant but not that of a real divisive powerhouse-type fragrance. I don’t really see how any man could offend while wearing Terre d’Hermès Parfum, particularly a few minutes after the somewhat riotous initial blast upon application dries down. That may also be why it receives its fair share of disdain from the connoisseurs — it has the feel of something designed scientifically rather than a fragrance that has been born of inspiration or passion. As mentioned above, Terre has a massive amount of Iso E Super in it, a chemical that is used to boost woodsy notes. And you do get that in spades, in this case for me it’s like a freshly cut conifer sapling (and the brighter side of a much danker effect that Iso E Super creates in the vetiver-heavy Encre Noire from Lalique. With its very recent creation, it makes sense that rather than using something like organic sandalwood or cedar Mr. Elena would use his modern-day perfumer’s tools to achieve a similar effect in heightened form. I don’t begrudge him or Hermès that even if Terre is nonetheless quite a pricey juice for such a clearly artificial creation (the Parfum lists for $115 for a 2.5 oz bottle though can be had for cheaper on Amazon). But then I also don’t feel like Terre d’Hermès, at least in Parfum form, is all that brilliant a creation, either. More like a chemically clever one.

Once you get past its seeming daring and boldness in mixing orange and woods into such a relatively potent cocktail then you are left wondering just what exactly are you trying to convey when you wear it? Again, I think it is consummately inoffensive, fresh without being sweet or cloying and certainly somewhat elegant. But I don’t feel its very sexy in and of itself. If you’ve already got a significant other, chances are they will like it on you when you cuddle up. But I don’t see this one as mating call juice at the local bar. It’s a bit too perplexing to be sexy. Yes, you’ll smell good but probably not hot and steamy good, just “nice” with all that entails. But maybe its “safe,” non-threatening quality can work to one’s advantage more than I’m giving it credit for. I do think this one works well at any age and probably best in fall and spring, where the cool but not cold weather allows the heady citrus to float off the body in an appealing way. I can see how this could come across as a bit too heavy in the summer and there is something about genuinely cold weather, despite the likely Christmas connotations of its profile, that seems to choke off Terre, stunting its power (unlike, say, Eau Sauvage Parfum, which thrives in frigid temperatures). So that’s it really. I guess I feel like Terre d’Hermès neither deserves the fawning praise of the masses or the scorn of the elites. It’s good, it’s a little weird but it’s never freaky or funky. A solid pick for daytime, especially causal rather than office use, or a night out with friends or a committed partner. You’ll smell good, you’ll smell like a piney orange and you’ll smell classy. But if you’re like me, you won’t want to smell like this all the time. Terre d’Hermès will likely be a solid addition to your collection for occasional use — it is definitely distinctive! — but not a signature fragrance. Frankly, the world of cologne is much more interesting and far ranging than this simple, straightforward beast.

Men’s Cologne — Lauder for Men

My renewed interest in exploring men’s fragrance began after I had been wearing Armani Eau Pour Homme for over a decade as essentially my signature scent. I always felt that if I had my cologne figured out why bother changing it up too much? Eventually, though, I found myself increasingly bored wearing the Armani day in and day out, craving a bit more variety to my scent life. More than that, while always pleasant it started to go missing after about an hour. Yes, it still remained present as a skin scent (something you really have to put your nose close to to smell) but I wondered if continual reformulation through the years hadn’t neutered it, a common problem with classic colognes. Most of all, though, I came to realize I was looking for something to break the monotony and break out of my olfactory ennui. So I started doing some research, going to the local Sephora for samples, reading Fragrantica and looking at some opinionated men’s perfume blogs like Pour Monsieur and From Pyrgos. That piqued my curiosity to try new things, change it up and give several other colognes a chance. And one of the pleasures of this new scent journey has been finding out just how much variety there is in good men’s cologne these days, as well as how much wearing different fragrances for different occasions and circumstances can give you both personal enjoyment and a leg up in terms of confidence and polish to one’s sense of style.

So let’s talk about one of my new favorites, Estée Lauder’s Lauder for Men. Now, Lauder for Men is not a new scent at all, just new to me. It was created way back in 1985, in what some consider the golden age of power fragrances. But Lauder for Men is not a typical 80s badass like Drakkar Noir, Kouros or Lapidus. In fact, it seems to harken further back to more restrained, less spicy aromatic fougéres of the 60s and 70s. There is nothing ballsy, hairy chested or in your face about Lauder for Men. It opens crisp and green with pleasingly bracing notes of juniper and clary sage. This is freshness in a bottle, a classic cologne smell with the longevity of an Eau de Toilette. There’s also a pleasant hint of sweeter citrus — lemon and mandarin orange peel — to balance out the galbanum, though I don’t really get the cardamon or coriander listed in the notes in my modern formulation.

Not just for your gin Martini!

The dry down is equally lovely, the green vibe lingering for certain but opening up with pleasant notes of masculine flowers like carnation, jasmine, lily of the valley and rose. Continue reading →

tomvox1’s Vintage Watches for Sale — March selection, Pt. II

Proving that a mid-sized watch can still be tough and cool this uncommon vintage Ernest Borel Sub 200T Sharkhunter diver with stunning eccentric matte Tritium lume dial & original matching handset is now up for grabs on all the big forums.

The story on this Sharkhunter, which is like a 37mm cross between a Submariner and Doxa’s larger, more famous model with the same name, is that at the time this watch was produced in the early 1970s the ~~Synchron~~ Aubrey* company owned Doxa & Borel and had no compunction about using virtually identical dials and model nomenclature across two ostensibly separate brands (*corrected thanks to info provided by @vintagediver on IG — thank you!).

This well-made, rugged tool watch features the ever reliable ETA cal. 2872 movement with quickset date, shock protection and beautiful gilt finish. And putting the cherry on top of the sundae, this tough ETA movement has just been fully overhauled by my watchmaker for years more of faithful service.

Ideal for the guy who favors an under-40mm watch, this Borel diver has the striking tool watch looks and the desirable vintage originality to make a greater impression than its relatively modest price tag would suggest. Get it while you can so you can be ready for any ocean adventure and then look super stylish for beachside cocktails afterwards.

Check out the full ad with many more pictures and complete description over at Timezone.com’s Sales Corner. ON HOLD

New feature — Men’s Cologne (Introduction)

Because looking good is only half the battle we’re starting a new feature here on MFL: Men’s Cologne. After all, when you’re suited & booted for work or play you want to smell just as fine as your outift, don’t you? Now, we don’t claim to be the world’s greatest experts on men’s scents or be the biggest noses (that’s perfume speak for “connoisseur”). But we know what smells good to us. We don’t really mess around with unisex scents or go in much for stuff that smells like a fudge browny. We’re also not afraid to go back in time to pick something classic from the 70s or the 80s or even older. Who says you can’t wear something your dad rocked back in the day? On rare occasions sometimes we may even go hunting an old vintage or discontinued frag. But we’re definitely not afraid to try something new or popular.

That said, we also don’t want to be identified as “Cologne Guy.” A man’s fragrance should certainly be noticed in a positive fashion, maybe even complimented, but it shouldn’t speak louder than he does or try too hard. When you’ve got the right cologne on it compliments but doesn’t drown out your other positive qualities. In other words, you don’t want people saying “Nice suit but what the hell was that smell?” In short, we want to smell manly and good, just as a guy should, and from here on out we’ll be sharing our favorite and not so favorite colognes with you and our honest opinions of them. If you’re then tempted to try one or two on our recommendation then have at it. Keep in mind that smell is a very personal sense and you may not always agree with what we choose to wear. But we think that more often than not you’ll like what we’re spritzing on, as well as our advice on how and where to use it. It’s a big wide world out there and smell is one of the most subliminal and effective ways to communicate your own personal cool — might as well try out some new fragrances to help you feel your best and put the finishing touches on your style.

Alain Delon of the past helps sell Dior’s new Eau Sauvage Parfum today

Before we get to the reviews, here are a few basics on terminology that will make the discussion easier.

Basic concentrations of cologne by strength:

Eau de Cologne (EDC) — Generally a lighter grade of scent, perhaps a little stronger than aftershave but doesn’t last long and generally is not that powerful smelling, though some may start out strong/loud. Most EDC’s are sort of eye openers to start the day before graduating to something more substantial.
Eau de Toillette (EDT) — The most common strength for most premium men’s fragrances — you & I may refer to it as “cologne” but chances are any given fragrance off the shelf with any lasting power is going to be an Eau de Toilette. Can be strong and long lasting depending on the scent but generally reasonably moderate in both departments.
Eau de Parfum (EDP) — A stronger concentration than an EDT, an Eau de Parfum allows the perfumer to enhance the depth and lasting power of a fragrance generally speaking. While it should always smell similar to the EDP version, an EDP (often marketed as “intense” these days) can also take some liberties that essentially turn it into an entirely new scent (for example the differences between the classic Eau Sauvage by Dior and the modern EDP version). Generally powerful and long lasting and for guys who are comfortable wearing something with a lot of strength behind it. When in doubt, start with the Eau de Toilette then graduate to the Eau de Parfum.
Parfum — Also called simply Perfume or extrait de parfum/perfume extract, this is the least diluted strength of a fragrance and therefore the most powerful. This doesn’t really come up that often for men’s scents unless you are deep into intense fragrance and are a niche fan or serious scent head. Only for the very brave, ballsy and experienced.

Important Qualities for a Fragrance:

Longevity: Self-explanitory, this is how long a fragrance lasts. This can vary from person to person depending on skin type and other factors like the weather like temperature and relative humidity. This is not directly connected to the power of the fragrance per se, as even when your cologne is no longer making an impression on anyone more than a foot away, if you can still smell it on your skin (“skin scent”) then that still represents longevity. And more often than not, fragrances linger longer on clothing than on one’s skin.
Sillage: A French word (pronounced see-yazh) that refers to your personal vapor trail while wearing a fragrance. It essentially defines the way your cologne wafts in the air and can be detected by others. Generally speaking, if you are wearing something pleasant and that you like, sillage is desirable in that you are making a statement with your cologne so other people should be able to detect it in a subtle but perceptible manner.
Projection: Sometimes used interchangeably with sillage, projection is slightly different in that it refers to the sort of radius that your chosen scent throws off. Does your cologne enter the room before you do? That’s projection. If you gesture with your hands a few hours after applying your cologne and a pleasant waft of it is newly stirred up, that is more like sillage. Some people love colognes with a lot of projection and some prefer to keep it a bit closer to the body. Depends on what kind of guy you are, the social setting you’re in — maybe what you wear to a nightclub is not so appropriate for the office — and how much of a statement you want to make.

Continue reading →

tomvox1’s Vintage Watches for Sale — March selection

On offer this month is this absolutely stunning mid-1970s vintage Rolex reference 5512 Submariner. The true Steve McQueen watch — don’t let anyone tell you differently — the 5512 is the iconic Chronometer-rated no date Sub, which was produced in ever diminishing numbers as time went on and Rolex realized that not many customers cared enough about the fancy movement to pay the higher price when compared with the standard non-Chronometer cal. 1520 5513 model. It was, in fact, discontinued in the late 70s.

But the discerning few were willing to pony up then and still are today. This is one of those magic Rolex Sports models that you come to appreciate as you learn the history of Rolex’s dive watches and how they all fit together in the big picture. Simply put, the 5512 is an elite Submariner and a cut above most matte 5513s or 1680s, all other things being equal.

And this particular example is even a bit more special than most other matte 5512s. Along with its beautiful 4-line SCOC dial (technically referred to as “Non-Serif” style in the ever more complex glossary of dial definitions) it displays a plethora of all-original qualities: wonderfully patinated Tritium luminous; matching original hands; a sexy Fat Font bezel insert with Tritium pearl; domed acrylic crystal for that unbeatable vintage look; and it even comes with its original Folded Oyster bracelet with “PATENTED” diver’s extension. It’s not easy to find a 40-year-old watch in this sort of all around period correct condition — this baby is truly a survivor!

To put the cherry on top of the sundae, this great 5512 has just been fully overhauled for years’ more faithful service to its new owner. If you’re looking for an elite Rolex tool watch with that extra special, extra collectible quality of 100% period correctness — not to mention that magical McQueen connection — look no further. Your Submariner has arrived.

Check out the complete ad with many more pictures and complete description over at the Vintage Rolex Forum’s Market section SOLD

tomvox1’s Vintage Watches for Sale — February selection

I have previously extolled the humble virtues of the vintage Eterna KonTiki 20 but I have never come across a more unique example than this one. Sun and time have conspired to bleach the dial down to its most elemental hue, that of a remarkable bright bronze that changes tone in different light and with the angle of your wrist.

The condition of the all steel case matches the life well lived of this incredible dial, making this is a watch that is simply vintage magic on the wrist with stories to tell. With a nicely sized 36mm diameter and a water resistant steel case with screwed back & oversized crown the KonTiki 20 has classic rugged good looks. It’s not a watch you have to baby, even after all these years.

Featuring a high grade Eterna-modified ETA movement, the caliber 1489K has shock protection and a very cool quickset date feature via pulling the crown out past the time setting position repeatedly. But again, the real star is this remarkable dial. Not only is the golden bronze tone stunning but the unique aging just happened to occur to an already “exotic”-type dial with red minute track ring and ridged markers with funky butterscotch-toned inlays.

About as cool as they come and priced well below a grand, this Tropical KonTiki is destined to be snapped up by a discerning fan of wabisabi in vintage watches, an ever growing fraternity. If you’re quick enough on the draw, it you could be you joining the club.

Check out the full ad with many more pictures and complete description over at Timezone.com’s Sales Corner. SOLD

The Allure of Military Watches — The Blancpain Fifty Fathoms “No Radiations” Bundeswehr

First off, let me say I don’t claim to be an expert on the vintage Blancpain Fifty Fathoms “No Radiations” Bundeswehr-issued diver. Everything I’ve learned is from other, more knowledgeable collectors sharing their considerable expertise about this model with me. That said, I have owned two of them so I thought it would be useful to at least present what I do know about the watch, as well as what are hopefully some helpful pictures.

The issued Blancpain Fifty Fathoms “No Radiations” dive watches were requisitioned by the German Bundeswehr (Armed Forces) for their elite naval commando unit, the Kampfschwimmer, from around the mid-1960s until the early 1970s, when they were replaced with another model of BPFF (the big cushion shaped one with the crown at “4”, a red 3H on the dial to denote Tritium and the co-called “sterile” bezel with luminous triangle only and no numerals or hash marks). It’s no surprise that the German Navy chose Blaincpain divers for their elite frogmen forces. From its earliest conception the Fifty Fathoms was meant to be a serious purpose built diver, as proven by its legendary connection to the great Jacques Cousteau nearly from the start. The design was so good that the “No Radiations” version from the 1960s can directly trace its lineage to the models made for for the US Navy in the 1950s, the legendary MilSpec 1 and the even more uncommon Tornek-Rayville. (While the TR 900 is technically not considered a Blancpain Fifty Fathoms, the MilSpec & TR 900 are almost identical and certainly Allen Tornek was re-badging Rayvilles as Blancpains all along — so what is the difference between a Rayville that doesn’t have “Blancpain” on the dial and one that does really — aside from rarity, that is?).

The idiosyncratic red & yellow crossed-out trefoil badge with a tiny “No Radiations” printed within took the place of the earlier models’ moisture indicator disc above the “6” marker and made a virtue out of the new regulations regarding radioactivity on wristwatches, the famous “T<25” standard. No doubt the previous 1950s versions of Fifty Fathoms utilized highly radioactive Radium for their super luminous dials and bezels, like so many other watchmakers at the dawn of the Toolwatch era, as well as a rumored incorporation of the even deadlier Promethium. And so the “No Radiations” badge was a very overt way for Blancpain to indicate that they had broken from the use of highly radioactive lume and were now firmly on board with the “Less than 25 milicuries of Tritium maximum” mandate codified in the early 1960s. This had the added benefit of making the watch suitable for military duty, as the T<25 standards were also strictly enforced in the martial world, with older Radium-lumed watches regularly being scrubbed at service, re-lumed with Tritium and then returned to duty. And just to be certain that they were getting the message across, Blancpain still printed “T < 25 MC” at a cocky angle below the “5” marker, one of the few companies aside from Rolex to use such a clear literal notation of the radioactive content of their dial & hands.

The case of the “No Rads” Fifty Fathoms in a nicely sized 40mm across without the crown by around 50mm lug-to-lug. It has an all-steel three-piece screwed construction, more polished than a MilSpec but sharing the long sweeping lugs with squared off edges. Continue reading →

tomvox1’s Watches for Sale — January selection, Pt. IV

As collectors in any hobby know, sometimes you’ve got to sell something special to get something special. Such is the case with my trusty Panerai Luminor Marina PAM 61, a watch I”ve had for many years and never thought of parting with. However, something special has come up on my radar and I’ve made the tough decision to let this stunning Tobacco-dialed titanium beauty go. But my loss can be your gain.

With a D-serial number prefix this 61 was produced circa 2001 in 3000 examples that year and still features a solid titanium back and not a display version, something Panerai purists prefer. It has a tough and durable 44mm titanium case construction incorporating Panerai’s proprietary oversize crown guard, a well protected lever-locking system. Hard to beat that machine-like crown locker for cool factor not to mention the form-follows-function contribution it makes to the model’s impressive 300 Meters of water resistance.

There’s also a chronometer movement under the hood, the workhorse OP II which is a modified ETA 6497-2 with bespoke decoration. The watch keeps great time and wears like a dream due to the lighter-than-steel titanium case. And the brushed finish tones down the normal Panerai bling factor, making the 61 a more subtle everyday option than their highly polished steel brethren. But the real wow factor is that great Tobacco-brown dial with matte finish. Between the gray of the case and whatever strap you put on, this watch absolutely pops on the wrist with its wonderfully warm brown look. You might call it an autumn but believe me it’s perfect all year round!

Man's Fine Life

The Return of the Well-Rounded Gentleman