Author Archives: tomvox1

What we’re listening to today – Bad Night at the Whiskey by The Byrds

If you only know the Byrds from their famous early singles like “Mr. Tambourine Man” and “Feel a Whole Lot Better”, this late model track from 1969’s Dr. Byrds & Mr. Hyde might just hit you like a ton of bricks.

In a band that existed from 1964-1973, the Byrds’ only constant wound up being Roger McGuinn, as they became as famous for line up changes and stylistic shifts as for their musical output. But what remains now after all that history is put away is the glorious music throughout their many iterations. Dr. Byrds & Mr. Hyde inaugurates the Clarence White-era of the band and follows directly after Gram Parsons‘ departure. So while the album still resonates with the influence of Parsons’ innovative country-rock synthesis on such tracks as the all-time great “Drug Store Truck Drivin’ Man” and the traditional ode to a deceased hound dog “Old Blue”, the other tracks border on heavy metal, with White’s heavily distorted and piercing guitar solos soaring over McGuinn’s ominous doom & gloom vocals, all surrounded by John York’s thundering bass and multi-instrmentalist Gene Parsons thumping out a brutal rhythm on the skins. Tracks like “Whiskey” and the scorching cover of Dylan & Danko’s “This Wheel’s On Fire” come fascinatingly close to Led Zeppelin-esque heaviness almost simultaneous to the release of Led Zep I. But then the Byrds in all their incarnations were always trailblazers and at the sharp end of musical trends. From adapting Dylan into 3-minute chiming folk rock pop songs to the raga-inspired psychedelia of “Eight Miles High” to the amazingly unlikely and artistically significant Gram Parsons-Roger McGuinn country rock of Sweethearts of the Rodeo, the Byrds always seemed to be one step ahead of the pack even if they didn’t always reap the commercial rewards of such foresight. Reflecting the prevailing mood of pessimism at the end of the 60s, the late-era gem “Bad Night at the Whiskey” shows the Byrds still had plenty to offer the world of Rock ‘n Roll even if they couldn’t quite make up their mind which way they wanted to fly off to next.

What we’re listening to today – Room a Thousand Years Wide by Soundgarden

Because some days you just have to do what the MC5 so indelicately ordered us to do: Kick Out the Jams, Motherf*#ers!

“Room a Thousand Years Wide” from Soundgarden’s 1991 nitro-fueled Badmotorfinger does that kicking just right. It’s not Grunge so much as it is pure plutonium. With the best hard rock voice since Robert Plant, frontman Chris Cornell’s controlled screams and 3-octave range tear through the mix like a band saw through glass. Meanwhile, Kim Thayil on guitar, Ben Shepherd on bass and Matt Cameron on drums conspire to drive an 18-wheeler off the edge of the Grand Canyon and recreate the sound of its metal fatiguing on the way down. Crank it loud enough and it’ll peel the paint of the room and get you arrested for broadcasting such “disturbing” music in polite society. But won’t that spice up your humpday?

Tomorrow inevitably begat tomorrow but all these years later Soundgarden remains one of the top hard rock bands of the 90s or any other era. Search ’em out with your good eye closed or open–either way you’re going to find some sweet, sweet heavy metal.

What we’ll be wearing this Fall — Baracuta windbreakers

It’s mid-September and there’s finally a chill in the air here in NYC. And that means that soon it will be the best time of year for a man sartorially speaking: Fall, when we get rid of shorts and short sleeves and welcome back light jackets, sweaters and corduroy pants from their Summer banishment deep in our closets. One thing that is de riguer for Autumn’s changeable moods is a good windbreaker. In our opinion, some of the very best windbreakers you can add to your wardrobe are made by Baracuta of England.

baracuta_logo

Founded in pre-war Manchester and now part of the quality portfolio of WP Lavori In Corso of Bologna’s brands, the classic Baracuta G9 was popular with the post-War Ivy League golf and preppy set. But it really came into its own as a mid-20th Century icon when James Dean wore a blazing red one as Jim Stark in Rebel Without a Cause, a symbol of his fiery and conflicted character if ever there was one.

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Continue reading

Watch Collector’s Notebook: So… why watches?

There are a lot of hobbies out there and a lot of collectibles. So how is it that one guy chooses comic books or baseball cards or Impressionist paintings and another guy chooses watches? Well, I can only speak for myself and my own obsession with wristwatches but I wouldn’t be surprised if all of those interests had a common source rooted in our childhood.

For me, the watch enchantment started when I was a kid and my dad and I would take long drives up to his house in Western New York (Upstate, as we always called it, the term Upstaters love to hate). Now this was a long drive in an old red Volvo so it took a bit over 5 hours on a good day. My parents being separated, these road trips had a special magic for me, to spend so much alone time with my dad while he steadily drove northward away from the City. And aside from our talking and catching up, he would invariably hand me his Omega chronograph, which I believe he had got working as an ad man on the brand’s account. It took me some years to remember it correctly but I finally realized it was this one:

SpeedyMkIITrit-2_edited-1

A Speedmaster Professional Mark II with exotic “Racing” dial. Continue reading

What we’re listening to today — Wherever You Go by Built to Spill

First let me say that I think Doug Martsch of Built to Spill is a certified rock guitar genius and if you do not know of his work, you really should. While the facile comparison to Neil Young is frequently deployed because of his singing style (and encouraged by the epic cover of “Cortez the Killer” on 2000’s Live, which clocks in at a massive but fantastic 20+ minutes), his playing also displays flashes of Jeff Beck, Hendrix and Tom Verlaine.

“Wherever You Go” from 2006’s You In Reverse shows BTS and Martsch at their tightest and is a fine representation of their style: slow-winding buildups to intense peaks; swirling multilayered production; cryptic and knowing lyrics; and that searing guitar soaring and punching through it all. With legendarily difficult and technical arrangements, BTS comes across as a jam band with a major difference: there is no noodling. There is only precision and ambition, even when the songs are long and circular. While they may never release another album as Built to Spill and they were never a huge commercial success, I feel strongly that Martsch and his mates will be looked back upon as a high water mark for real instrument Alternative rock in the 90s and early 2000s. Listening to them certainly proves that one well constructed and original song–and even more so, an album of them–is infinitely more satisfying than an iPod full of the pap produced by the latest interchangeable artificially manufactured bands and network karaoke winners. They may not be telegenic but they sure do kick ass. And their heart will wear you down.

What we’re listening to today–Mambo Sun by T. Rex

Let’s kick Friday off with this slinky ditty from T. Rex:

http://www.youtube.com/watch?v=koFM5paYEmM

Now, one can carp that T. Rex really only made one song throughout their long career. “(Bang a Gong) Get It On”, “Children of the Revolution”, “Jeepster”, etc are all variations on a theme with a little instrumental variety here, a little tempo change there. But there is something surely sweet sounding about the Marc Bolan groove and his childishly simple lyrics. Nobody else sounds like T. Rex, glam or otherwise (although this Grant Lee Phillips song, “Johnny Guitar“, is a pretty good homage). But when you hear them, they always tickle the ear and the tunes never sound stale 40+ years on.

Mambo Sun is primo Rex, all attitude, fuzzy guitars, low key reverbed vocals and female worship, not to mention a great first track for 1971’s seminal Electric Warrior. Plus, Bolan helped make it cool for rock guys to look a little like chicks–he arguably inspired Bowie to go glam–so there’s another lasting contribution. On second thought, that kind of led to Poison so maybe that wasn’t such a great thing. Whatever we think about that, put on your top hat and feather boa and get ready to rock out this weekend!

I personally think Electric Warrior belongs in every rock fan’s collection and you can get it at Amazon and iTunes, of course.

What we’re listening to today– Riders on the Storm by The Doors

Somehow long car trips make me think of this morose tune from the last gasp of the genius that was Jim Morrison and the Doors. Plus it’s been raining and thundering all day, so it fits the mood…

http://www.youtube.com/watch?v=rYE1S6r3bkg

It’s also interesting that what used to be a time-honored mode of transport on the cheap since the advent of he car, which arguably reached its romantic apotheosis with the hitchhiking-friendly On the Road by Kerouac, quickly morphed into No fucking way am I picking up some straggly looking kid in the space of about 15 years or so.

Here are some cool articles on why that happened, with the gist of it being that horror stories and a general hostility to drifting free spirits by local and federal law enforcement conspired to give hitching a bad and dangerous name:

What Killed Hitchhiking? from NBC News

Hitchhiking’s Time Has Come Again from the New York Times

But the final nails in hitchhiking’s coffin might really have been the fallout from the Manson Family murders and the creepy but awesome (and almost certainly related) “Riders on the Storm” here. Rutger Hauer didn’t help with any potential revival in the 80s either:

http://www.youtube.com/watch?v=RKV2a9Le0Sc

And with that: Drive safe, kids!

You can find “Riders On the Storm” on The Doors last studio album, L.A. Woman, available for download at Amazon.com.

Blog of the day– Jake’s Rolex World Magazine

If you want to get heavy into Rolex ephemera, pop culture and the wonderful personalities who wore Rolex throughout history, Jake’s Rolex World Magazine is a fine place to while away the hours. From the brand’s founder Hans Wilsdorf to the ultra cool ambassadors like James BondJackie Stewart, Steve McQueen and (believe it or not) Martin Luther King, Jr., Jake has a passion for rooting out the many tales in Rolex’s storied history and the pivotal players who wore the watches. We’re not sure where he gets the time or the energy for such a massive amount of well done posts but our hat’s off to him–way to go, Jake, you’ve got a real cool blog!

Watch Collector’s Notebook: A golden dream

It won’t happen often but every once in a while as a watch collector you will run into something genuinely rare and special. I’ve been fortunate in my relatively brief years in the hobby to have more than my fair share of these moments. But the one watch that arguably stands out for pure Wow! factor is this early solid 18k gold reference 1680 Rolex Submariner:

1680-med-2Now there is nothing particularly uber-rare about an acrylic crystal “Nipple” dial gold Submariner, although they are not all that easy to come by. But what made this example really special and drew me to it is that the dial was meters-first, which is very uncommon in a Gold Sub. Rolex manufactured the Submariner line for 15 years before they decided to make a version in gold. (This despite the fact that they had always produced a GMT-Master in solid gold from the beginning of that reference in 1955. Who knows with Rolex?) But from it’s introduction at the Basel watch fair in 1954, the Submariner was only available in stainless steel. Also notable is that their dials had always had the proud depth rating with the metric measurement of 200 meters first. Furthermore, no Submariner had ever been produced with a date complication. But in 1969, Rolex was about to change all of these things.  Continue reading

What we’re listening to today–Walking in the Rain by the Ronettes

If Phil Spector’s Wall of Sound is a sledgehammer of beautiful bombast, then “Walking in the Rain” is its velvet hammer:

Yeah, there are a lot of shitty covers of this tune (including one by the Partridge Family –don’t click if you have a weak stomach). And sure the June-moon-swoon lyrics are not exactly John Lennon. Yet, as has been well documented, the Beatles learned a lot of their songcraft from the great girl groups of the early 60s… they had to write “I Want to Hold your Hand” before they got to “Revolution”, my friends, and the driving beat and optimistic love talk of the Crystals, Marvelettes and Ronettes helped get them on their merry way.

More to the point, the Ronettes original version of “Walking in the Rain”, with Ronnie Spector (née Veronica Bennett) and her little girl-cum-Broadway belter delivery powering through the storm effects, sleigh bells and endlessly layered background vocals, is just about as pure a pop song experience as you can find. Check your hard earned cynicism and anti-romanticism at the door. Hell, she hasn’t even met the guy she’s singing about yet! But damn if she doesn’t make you wish you could live up to that dream lover.

RonnieSpector

Hearing this great song again is also a good reminder that Phil Spector was not always a homicidal hermit freak but, in fact, one of the geniuses who kept Rock alive when Elvis was in the Army and the Beatles had not yet come along. I definitely recommend picking up Back to Mono to get some perspective on his prodigious pre-murder achievements.

Download this classic tune at Amazon.