Author Archives: tomvox1

Rolex collector’s site of the day — 5513mattedial.com

Vintage Rolex collecting, perhaps more so than any other brand of vintage watch and especially with regards to the Sports models, is very much about the minute variations in the details of a given model line over time. Very often these changes in fonts, for example, occurred in rapid succession as Rolex ramped up production of, say, their Submariner line in response to increased demand for their iconic watches. Therefore, one sees not only relatively big changes in dial printing, such as the switch from red SUBMARINER to white in the 1680 date model or the move away from gilt/gloss dials to matte/white writing in the later 1960s, but also extremely subtle shifts in the basic fonts and printing of otherwise very similar dials that are much harder to keep track of and difficult for the unitiated to see. In the end, a lot of the main factors of a Vintage Rolex Sports watch’s appeal and value come down to hard-to-spot minutiae.

And that’s where a new site like 5513mattedial.com becomes so valuable. Taking a magnifier to the Matte dial non-date Submariners that were produced from the late 1960s until the early 80s, the site’s author, longtime collector Beaumont Miller II, has catalogued the key evolutionary differences in that ultimate Rolex tool watch, the reference 5513 Submariner, during its long years of matte dial production. Now in one place we have a handy collector’s resource that makes clear the key characteristics of Maxi dials, Pre-Comex, and the early Meters-First variations, among others. And as a result of these comprehensive efforts you will see more variety in this “common” model than you previously thought possible.

If collecting Vintage Rolex is all about the details (and it is!), then 5513mattedial.com is an exceptionally handy resource to consult when hunting a white-writing 5513 and determining where its dial falls in the production sequence and if in fact the printing is actually legitimate. Written in an entertaining and self-depricating style, the site is as thorough and specific as they come and shows that by looking closely and analyzing seemingly random minutiae at length, a much greater mosaic comes into view when all the puzzle pieces are finally laid into place. It’s a job well done all around and I strongly recommend it to anyone interesting in collecting these iconic Submariners.

What we’re listening to today — Monkey Gone to Heaven by The Pixies

Just a quick and dirty blast of punk rock today as life intrudes but it is often posited that without the Pixies, there would be no Nirvana. Discuss.

And remember, kids: If man is 5, then the Devil is 6 and if the Devil is 6 then GOD IS 7!!! Bless Black Francis for that bit of theology and I promise we’ll get into the Pixie ouvre in greater length — or at least crank out some more of their tunes — at a later date. In the meantime, enjoy it again live and watch out for that NY/NJ sludge!

https://www.youtube.com/watch?v=wJwnpi_iM6A

Watch Collector’s Notebook — Benrus Sky Chief

On the theory that you can never have enough cool vintage chronographs, here is another little gem that I have known and loved, the Benrus “Sky Chief”. Produced in the post WWII-era by the New York-based Benrus Watch Company and marketed with its evocative name to the aviation-mad public of the late 40s and 1950s, as well as the increased purchasing power of the Western world’s newly beefed up air forces and transatlantic airlines, the Sky Chief is a classic pilot’s chronograph by design.

SkyChief-1 copy

In its most common iteration, it has 3-registers for constant seconds, minute recorder and 12-hour recorder, the latter complication being a somewhat new development for a mass-produced wristwatch that came to be the standard for most fine chronographs going forward. The usual engine found under the hood was a Venus 178 well before it was adopted by Breitling for their Navitimers in the mid-50s. And a bit later, perhaps because Breitling sucked up almost all Venus production, Benrus used the ubiquitous Valjoux 71/ & 72 column wheel chrono ebauches that would go on to serve the watch industry for so many years. Different alphanumeric codes were engraved on the bridges to indicate which caliber was being used and none of these movements had shock protection at this early date.

Sky Chief with Venus movement

Sky Chief with Venus movement

Continue reading

Brooklyn Wine & Dine — South Williamsburg’s OTB

Time was when South Williamsburg, that part closest to the Williamsburg Bridge, was a bit of a sleepy outpost. Sure, there was Dressler, Diner and Marlowe & Sons. And of course, there was always Peter Luger’s. But by the watering hole/restaurant “density standard” of the Northside, that seemed a relative paucity of choices, no matter that the quality of those stalwarts were all well above average. But like so much in Brooklyn’s hottest nabe, a lot is also changing on its Southside and changing fast. In the last 3-4 years, there have been at least 5 or 6 big new apartment buildings erected. And that means a lot of hungry and thirsty new folk in Los Sures.

Thankfully, one of the better new additions to the scene is the excellent bar/cafe, OTB. Occupying a former hardware store right on Broadway between Bedford and Driggs, just next to Motorino Pizzeria’s new location and only a few doors away from the now-shuttered Dressler, OTB is a super comfortable space — dare I day “homey”? — that offers reasonably priced and always tasty food and drink. With a subtle nod to the now-defunct Off Track Betting parlors of New York’s past, there are sly allusions to that peculiar institution, such as an old-fashioned rotary wall phone, heavily padded swivel bar chairs and super comfortable club booths. There are also attractive light fixtures, cool paisley-textured vinyl wallpaper and beautiful oversized photographic prints adorning the walls that feature retro-cool vintage scenes of servicemen at a burlesque show or well-turned out gentry attending a horse race. The food menu is nicely focused with an emphasis on French bistro standards like escargots, frogs’ legs and a killer steak frites, as well as a very juicy grass-fed burger. There is also a good raw bar with ceviche and oysters (the latter on special for a buck each late nights and Mondays) and meaty chicken wings done in a choice of three finger-lickin’ styles. If you’re lucky, you may also run into an occasional special of the tastiest chicken tenders around — much too good for kids and my only caveat is that they should always be on the menu.

As for libation, there is a tight little selection of craft & imported beers on tap such as Captain Lawrence IPA and Radeberger; and a very fine cocktail list with essentials like a traditional rye Old Fashioned and in-house creations like the aptly named and all-too-quaffable Pimm’s Knockout (a particular favorite of the Missus). Best of all, the gracious and friendly staff makes you feel at home the minute you sit down or belly up to the bar. And Wiliamsburg or not, that kind of vibe is hard to come by these days. It all adds up to make OTB an excellent and unpretentiously hip hangout to while away an evening, as well as a welcome addition to a rapidly changing neighborhood. So check it out on your next visit to the Southside and if you haven’t been over that way in a while, you’ll be dumbstruck at how much else has changed.

A little Friday comedy — The Trip (2011)

Just cannot get these funny bits from 2011’s Steve Coogan/Rob Brydon mockumentary, The Trip, out of my head. This movie is so damn funny in such subtle but uprorious ways, I could watch it once a month. Or maybe more like once a week — it’s that obsession-worthy.

Two Bonds for the price of one as a game of one-upsmanship between world class impressionists? So much win. And let’s not forget dueling Michael Caines.

The Trip is not only hilarious but also at times touchingly melancholy and always feels grounded in the real and complicated relationship between these two guys. Throw in some fancy food, lovely ladies and stunning North England scenery and it makes for a fantastic comedy. And don’t even get me started on the insanely long DVD outtakes for “Gentlemen, to bed!”…

The Allure of Military Watches — Dodane Type 21

Aviator’s chronographs are among the most attractive of vintage military watches, as they tend to come in larger cases and have distinctive dial configurations for easy reading during missions. And hey, who doesn’t like a chronograph, right? Among the most storied pilot’s chronos are the Type XX and Type XXI, originally designed by Breguet in the 1950s for the French naval and air forces. Today, issued versions of those original watches, which Breguet produced in very limited numbers despite over a decade of manufacture, are among the most highly prized MilWatches out there and can routinely fetch $20k or more.

But the “Type 20” and “Type 21” designations were more of a military specification than a proprietary one, so Breguet was not the only manufacturer to produce these watches for the French armed forces. Which is a good thing for the collector because the “off brands” that were supplied are just about as attractive and can be found in the $2500-3500 range give or take, a helluva lot easier on the wallet. Among the other suppliers (or at least producers) of “Type” aviator cronographs were Auricoste, Vixa and Dodane (Mathey-Tissot also produced what is essentially a Breguet clone but these are both super scarce and damn expensive in their own right). Click here for an excellent overview of French Military Type chronographs hosted over at FinerTimes.com.

DodaneType21-1_edited-3

Since I am the proud owner of a Dodane Type 21, I figure I’ll show it off and go into detail on this model in particular, although it is no better or worse a choice than any of the others in its price range. First off, one of the things that makes a Type 20 or 21 is a flyback feature added to the chronograph mechanism. Continue reading

What we’re listening to today — Good Vibrations by the Beach Boys

Seeing as we here in the Northeast and much of the rest of the US are locked into a seemingly endless cycle of winter, the only thing one can do is dream of warmer days and hope they’re not too far away. And what more summery music is there in the Rock canon than that of The Beach Boys?

http://www.youtube.com/watch?v=d8rd53WuojE#aid=P-C2QsFwcWs

One of Brian Wilson’s archetypal pocket symphonies, “Good Vibrations” is perhaps The Beach Boys best song and arguably one the greatest tunes ever recorded in any genre. It was certainly one of the most expensive songs in its day, costing an estimated $50,000 in 1966 dollars in studio and musician fees and took roughly 6 months to be completed to Brian’s satisfaction. It captures the group at their artistic peak and before Brian became completely lost in endless tape loops and overdubbing and psychotropic drugs. Released directly after and somewhat mysteriously left off of the Beach Boys’ masterpiece, Pet Sounds, it seemed to point the way to limitless possibilities as the band and their artistic leader vied to out-duel the Beatles for pure sonic invention. But the rivalry and visionary music in Wilson’s mind could not be reproduced to his satisfaction with the studio technology of that time and the legendarily messy and drug infested recording process of Pet Sounds’ planned follow-up, SMILE, led to confusion and musical cul de sacs. The sessions and tracks became so expensive and chaotic that eventually they had to be pared down and released as the bastardized Smiley Smile, on which the single “Good Vibrations” was finally included but clearly is not really a part of. Smiley Smile was, therefore, an ambitious yet truncated album of beautifully produced but oddball compositions with limited commercial appeal. The old Surf Rock fans didn’t like the new impressionistic vibe and the Rock intelligentsia, while appreciating the technical ambition and mastery of such tracks as “Heroes & Villains” and “Wonderful”, were decidely unimpressed by an overall sound that Jimi Hendrix derided as “psychedelic barbershop quartet.” The coup de grace for Brian Wilson came with the release and massive critical and popular success of the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band just after the original SMILE was being shelved. Wilson conceded the concept album competition to the Liverpudlian champs and began his rather rapid decent into drug-fueled madness and artistic decline.

http://www.youtube.com/watch?v=NmLel0G4QQU

But what music he and the Boys made before the crackup! And it’s just what us polar vortex-blasted souls need to carry us through until the crocuses sprout, the days grow really long and warm, the barbecue is fired up again and the baseball season starts. Wouldn’t it be nice to strip down to our shorts, crack a beer and get some sun? You’re damn right it would.

The Original Explorer II — Rolex’s Funky Disco-era Classic

Early 1972 1655 Explorer II (non-luminous "baton" sweep seconds)

Early-version 1972 1655 Explorer II with characteristic dial, non-luminous “baton” sweep seconds and Mk II bezel

One of the most iconic vintage Rolexes out there doesn’t even look like a conventional Rolex. Sure, it’s got the classic 3-piece Oyster case — screw-down crown and back, pressure fit bezel — but the 1970s reference 1655 Explorer II shares very little else with its forebears. Most distinctly, the dial and hands are completely atypical for Rolex designs of that or any other era. Often fondly referred to as the “Disco Ball” by certain wags in England, the dial has an abundance of luminous “check” markers as opposed to the standard dots and bars on most Rolex Sports models such as Submariner and GMT, or the classic semi-Arabics layout of its predecessor, the Explorer.

Explorer ref. 1016, ca. 1985

Classic Explorer ref. 1016 — a distant family resemblance at best

So aside from the somewhat standard if oversize triangle at “12” the dial is an absolutely unique departure for Rolex. Upon closer inspection it is clear that the inner sequence of luminous checks corresponds to 12-hour time while the outer sequence is calibrated to the non-numbered odd-hour hashes of the fixed engraved 24-hour bezel.

It turns out that the original conception for the Explorer II was as a watch for spelunkers (!), with the highly luminous Big Orange 24-hour hand alerting the intrepid cavers as to whether it was day or night outside. Continue reading

What we’re listening to today — Harry Nilsson

Just saw a really good documentary last night via Netflix streaming on singer/songwriter and soft rock superstar Harry Nilsson called Who Is Harry Nilsson (And Why Is Everybody Talkin’ About Him)?. As implied by the title, Nilsson is somewhat forgotten today but was fairly omnipresent in the late 1960s throughout the 70s, with several big hits recorded by him or written by him and recorded by other artists. You’ll probably recognize his tunes if not his name, which fall into what I lovingly call the “Crap Rock” genre (America, Player, Ambrosia, Bread, Bob Welch, etc). His own breakthrough was the theme song from 1969’s Oscar-winning downbeat classic Midnight Cowboy, “Everybody’s Talkin'”:

http://www.youtube.com/watch?v=Dz6GzKWiIAs

Although “Everybody’s Talkin'” was ironically not actually written by Nilsson, it was clear a major vocalist had arrived on the scene after many years of cult status earlier in the 60s. Of his own material, “One” is arguably his best known and also most successful single.

http://www.youtube.com/watch?v=-nB5VxPOoio

Even so, it wasn’t a huge blockbuster for Nilsson but rather for AOR staple Three Dog Night (as well as a ton of artists subsequently). Their signature blues-rock version reached #5 on the Billboard charts.

Having established himself in a short period as a hot commodity, Nilsson went on to have a huge commercial and critical success of his own with 1971’s Nilsson Schmilsson. Continue reading

RIP Philip Seymour Hoffman, 1967 – 2014

We’ve lost one of our finest American actors. The brilliant and gifted Philip Seymour Hoffman was found dead on February 2nd in his West Village apartment of an apparent intravenous drug overdose, most likely heroin. In addition to his many highly praised film roles, Hoffman was an accomplished stage actor and director, winning special acclaim for his lead work in excellent revivals of True West, Long Day’s Journey Into Night and Death of a Salesman. He was also a co-artistic director of the LAByrinth Theater Company in New York City. Part of Paul Thomas Anderson’s informal repertory company, Hoffman appeared in 5 of his 6 films to date, including the title character in last year’s The Master. He also won the Best Actor Oscar for his uncanny portrayal of Truman Capote during the In Cold Blood years in the 2005 film Capote. He was always a standout from his first big breakthrough as the no good prep school kid alongside Chris O’Donnell and Pacino in Scent of a Woman; to his irreverent priest matching wits with Meryl Streep in Doubt; to his wonderfully touching work in Tamara Jenkins’ underrated The Savages alongside Laura Linney. In fact, his standout parts are too numerous to do them justice here so I hope you’ll explore his filmography to see what a wonderful actor he was (see below for links) even if it hurts to think that we’ll see no more from him. You’ll probably also be surprised at how prolific he was.

He leaves behind his wife Mimi O’Donnell and their son and two daughters. Just an ineffably sad day for those who admired his work and his creative spirit. We are all truly poorer for his premature passing because you never really knew what delightful thing he was going to do next.

Philip Seymour Hoffman’s full Wikipedia bio is here.

His IMDB page is here.