Author Archives: Lord Jim

Gorgeous Lady of the Week — Alexandra Daddario

To make the obvious point, Alexandra Daddario has looks and a body that can stop traffic. But she also has the acting chops that make her more than just another pretty face. The 29-year-old native New Yorker began as a teen actress in soaps but she quickly graduated to feature work with a starring role in the Chris Columbus-directed big budget fantasy series, Percy Jackson & the Olympians. She played the hero’s love interest, an earthbound demi-goddess, which is some pretty good casting — with her huge blue eyes, dark brown hair and curves galore, Alexandra is definitely blessed with other worldly beauty.

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But Alexandra really broke through with her brave and sexy work on the first season of HBO’s mega-dark miniseries, True Detective, scorching the screen in her love scenes with Woody Harrelson. Fearless, strong, yet also vulnerable, her nuanced performance as Lisa Tragnetti, a young woman in love with an older married cop, put her solidly on Holywood’s A-list.

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So it was no surprise to see Ms. Daddario cast as Dwayne Johnson’s daughter in this year’s big budget 3D disaster epic, San Andreas. And you can look for her career to continue to ascend with leads in the upcoming William H. Macy-helmed comedy, The Layover, alongside the equally statuesque Kate Upton; and the latest Nicolas “The Notebook” Sparks’ film adaptation, The Choice, slated for 2016 release.

Alexandra Daddario in Cosmopolitan, 2014

Alexandra Daddario gracing the pages of Cosmopolitan in 2013

Talented, beautiful and self-possessed, it will be interesting to see whether she can succeed in comedy. But Alexandra is surely a natural for a classic Hollywood romance. After all, when she shoots those baby blues your way what choice do you really have?

Classic Movie Watch — The Seven-Ups (1973)

If there is a Big 3 of classic car chase movies, it would have to be Bullitt, The French Connection and The Seven-Ups. In 1968, Bullitt ignited the car chase craze that would come to dominate 1970s cop movies and especially TV series. In 1971, The French Connection turned it into art with its ur-cinematic thrill ride beneath and between the elevated trains of New York City. And the vastly underrated The Seven-Ups, made in 1973, essentially elevated the car chase to the level of deus ex machina perfection. One could argue that from that point onwards that pinnacle has been repeatedly attempted but only succeeded in becoming ever more over the top, digitally enhanced and clichéd (although the fantastic against-traffic-in-the-Paris-tunnels sequence in John Frankenheimer’s Ronin does come pretty close to that level of old-fashioned awesome again).

The connection between these three all-time crime classics is their producer, Philip D’Antoni, the somewhat unknown force behind what came to be an action movie staple. For The Seven-Ups D’Antoni also took the director’s helm for the first time and used what he learned on his previous two smash hits to engineer the biggest, baddest car chase of them all. Check it out and see if you don’t agree.

But The Seven-Ups is more than that white-knuckler through Manhattan and across the Hudson to Jersey (and also, if you’re watching closely and out of continuity, up the Taconic into Westchester). It’s also a gritty police procedural with an outstanding cast led by the late, great Roy Scheider as lead cop Buddy Manucci, working again for D’Antoni after his excellent turn as Popeye Doyle’s partner in Connection. As time goes by, one sees how fantastic an actor Scheider was: funny, wry, intense, the bantamweight champion of no nonsense naturalistic tough guy performances. Is it any wonder that he’s in so many key 1970s films? While the fellow cops on his special semi-autonomous squad, tasked to pursue felony crimes with sentences of seven years and up, are not quite as memorable, they form a decent ensemble. In the end, it’s really the shadier characters who counterbalance Scheider’s intense, driven cop.

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Tony Lo Bianco also returns to the D’Antoni fold from his breakout performance in French Connection, this time playing Buddy’s boyhood friend Vito Lucia, a funeral home director who provides Manucci with inside dope on the mob. Continue reading

RIP B.B. King, 1925 — 2015

B.B. King, one of the legends of the Blues and arguably the man who did the most to popularize it with a diverse worldwide audience, has died at the age of 89. Sometimes overlooked by Blues “purists”, King was nevertheless an authentic Mississippi Delta original, albeit a performer who incorporated external influences such as Big Band Jazz and R&B in creating a signature sound with broad popular appeal. A tireless, good humored performer forever on the road playing one-night stands first to all-black audiences then to all comers, B.B. King’s very endurance insured that he would be able to capitalize on the big Blues revival of the 1960s. Sure enough, his biggest hit, the seminal “The Thrill Is Gone”, came in 1969, over 20 years after he had left a life of sharecropping and poverty on the Delta for the lucrative rewards of DJing and performing in Memphis, Tennessee.

While not name-checked as frequently as some other Blues guitar legends, King’s expressive playing style was nonetheless influential on generations of musicians. He made his big, curved Gibsons, always named Lucille, sing and cry with restrained, elegant power. His wonderfully well-modulated yet still raw singing style was indelibly unique — when you heard him sing an opening verse you knew right away just who was doing the singing. And by dint of his longevity, his many skills as a performer and showman and his pure enthusiastic passion for playing B. B. King came to embody “The Blues” for generations of listeners.

The excellent multimedia New York Times obituary is here.

Documentary view — Everything or Nothing: The Untold Story of 007

Everybody has a favorite James Bond movie and a favorite actor who played the legendary British secret agent. But today relatively few have ever read Ian Fleming’s original books. Fewer still know the story of the men behind the myth and their herculean efforts to get Bond to the screen and keep him on top throughout the decades. 2013’s superlative documentary Everything or Nothing: The Untold Story of 007 brilliantly fills in the blank spaces and inside history for both the casual 007 enthusiast and the hardcore fanatic.

https://www.youtube.com/watch?v=MuFj3-Z_SbM

With unprecedented and officially sanctioned access to the key players in Bond’s creation and remarkably enduring success as a cinematic staple for generations, Everything or Nothing delves into Fleming’s biography to show how his conception of James Bond was forged by his work as an intelligence officer for the British Navy during WWII. A cunning planner of sabotage operations, Fleming was nonetheless primarily a desk man who had to live the action vicariously through the exploits of the men “playing Red Indians”, his colorful term for Special Forces commandos operating behind enemy lines. After the war and with a new Soviet enemy to face, Fleming kicked around a bit before finally finding his calling with the first Bond novel, Casino Royale, in 1953. Wonderfully informed with details from his wartime espionage experience if somewhat crudely written in a potboiler style, Casino Royale struck a cord and was an immediate success. This enabled Fleming to devote his energies to writing new adventures for his super spy to please an enthusiastic public if not always the hot-and-cold critics. Between 1952 and his death in 1964, Fleming cranked out twelve full-length Bond novels and two collections of 007 short stories.

James Bond’s exploits were inherently cinematic and almost immediately various film and television producers approached Fleming with ideas for adaptations, with very mixed results initially. Continue reading

Gorgeous Lady of the Week — Verena Wriedt

Our latest goddess comes to us from Germany and to my attention via Graham. Like many Americans, I had never heard of the enchanting Verena Wriedt and it was certainly my loss. But G took pity on my ignorance and pointed me towards a broadcast of the German Touring Car series, aka the DTM, a sort of Formula 1 for the Big 3 German automakers and their top sedans. And there was Verena doing superb work reporting from the pits.

Ms. Wriedt at her day job

Ms. Wriedt working her day job

Not only is the fetching 40 year old perfectly fluent in English with just the barest hint of a sexy accent but, at the risk of pointing out the very obvious, the camera absolutely loves the blond beauty.

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Combining readily apparent smarts and quick wits with an upbeat and humorous approach to interviewing her subjects, it’s clear that if the sports networks here in the States were wise they would do well to import Ms. Wriedt and let her work her magic on American television.

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In fact, she got her master’s in broadcast journalism from Emerson College in Boston — magna cum laude, no less — so the lovely lass from Wiesbaden is already familiar with the American scene as well as the European one. Further adding to her international credentials as a true woman of the word, she’s also lived and studied in the Philippines and in England.

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It’s easy to envision Verena covering not just motorsports but also, say, the Olympics, equestrian events, big time skiing and sailing and even fashion if only some network honcho makes the obvious move to lure her away from the DTM. Because with that face, those brains and that talent, the sky’s the limit.

Quitting cigarettes — still one of the best things a guy can do for his health

If you haven’t already, there’s one thing you can do to almost instantly improve your health in a multitude of ways: quit smoking cigarettes. I’m not talking about foregoing the occasional cigar or pipe — that sort of tobacco is not great for you but used in extreme moderation, it’s not going to potentially ruin your health like butts will. Cigarettes on the other hand are bad for your blood pressure, your heart and lungs, your skin and your hair, your eyes & eyesight, your mouth and your teeth, your stamina and sex drive and your circulation and digestion… to name but a few of their nasty side effects. And obviously smoking is one of the world’s leading carcinogens, increasing your cancer risk exponentially when used as directed. Remember: you might survive cigarette-induced cancer but you will not be unmarked by it.

If you’ve never smoked cigarettes in earnest, good for you. If you’ve already quit, congratulations for taking such a big step on living a longer, more healthy life. And if you haven’t yet I can only ask: why the hell not, dude? I know, I know, you’re young and tough and nothing’s going to harm you and you feel like a real man with a smoke in your mouth. Well, by the time you get into your 30s, that’s not going to be quite true anymore and your doctor will probably begin noticing some signs of mortality like higher blood pressure or diminished lung capacity, both directly attributable to smoking. I smoked throughout my 20s and quit when I turned 30 and now I can’t even think of a good reason why I ever used cigarettes at all. One too many Hollywood movies where the hero chain-smoked his way through the film (the links between Hollywood and the tobacco industry are deep and well documented)? The fact that my father smoked and so it connected cigarettes with an ideal of manliness in my mind? Either way, it was damn stupid and once I finally stopped I pretty quickly got to a place where I was never tempted to smoke those coffin nails again. Or should I say coughin’ nails?

Thankfully, once I decided to quit it didn’t take too long to put it behind me altogether. I will say that the toughest part of making quitting stick for me was de-linking it from enjoying a drink out at social occasions with other smokers. Alcohol and tobacco make a very seductive team! Continue reading

RIP Leonard Nimoy, 1931 — 2015

Leonard Nimoy, an actor who became a worldwide cultural icon with his multifaceted portrayal of Mr. Spock in the groundbreaking 1960s sci-fi series Star Trek, died this past Friday at the age of 83. Nimoy’s characterization of the starship Enterprise’s First Officer functioned as the calm, intellectual super ego influence on Captain Kirk in diametric opposition to the id persona of the hyper-emotional Dr. “Bones” McCoy. The only alien crewmember in the original series, Nimoy gave creative life to the Vulcan philosophy of anti-emotionalism, logic and intellectual rigor and portrayed the consummate outsider bemusedly observing the confusing passions and paradoxes of the human species. In the series, the Vulcan race had long ago determined to exercise rigid control of their emotions in order to put an end the destructive internecine conflicts of their race. But as a mixed race man whose mother was from Earth, Nimoy also gave subtle expression to the human impulses beneath the surface of Spock’s greenish, pointy-eared exterior, which he sometimes struggled to control.

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With its futuristic vision of the USS Enterprise as a powerful but peaceful galactic explorer, representative of a vast United Federation of Planets including an Earth that had survived near-apocalyptic conflicts in the 20th and 21st centuries, Gene Roddenberry’s idealistic creation was not an overnight sensation. Slowly but inexorably it gained in popularity, growing from a cult following during its short 3-year 1966-69 run on NBC into a global phenomenon, the relentless result of non-stop syndication, animated spin-offs, novelizations and popular paraphernalia & technical literature. By the time Star Trek was reborn cinematically a decade later in the aftermath of the mega-success of Star Wars, an entirely new audience was ready to receive its tales of multi-ethnic, multi-cultural space adventure, which Roddenberry sometimes slyly referred to as simply a “Western in space.” As the myriad sequels, prequels and entirely new associated TV series proved, Star Trek may have started out as geek culture but there was a hunger across a large segment of the world for this intelligently thought out future of our civilization and its flawed but noble heroes and charismatic super villains. And as geek became chic and the brainy outsider became the unlikely hero of a new industrial revolution in the Computer and Internet Age, it’s no great stretch to believe that it was Nimoy’s characterization of Spock, cerebral and outwardly implacable with hidden reserves of humanity, that helped inspire future computer titans like Bill Gates and Steve Jobs in their youth. Building upon The Space Race mania of the 60s, Star Trek helped make science and technology as cool and appealing as the astronauts did — just ask all those fans who wound up working at NASA and in other engineering and technological fields. And, as not only the Enterprise’s First Officer but also its Chief Science Officer, no one was cooler than Mr. Spock.

The cast of the original Star Trek series and creator Gene Roddenberry meet the Space Shuttle Enterprise

The cast of the original Star Trek series and creator Gene Roddenberry meet the Space Shuttle Enterprise

Leonard Nimoy was also the cast member who had been with the franchise the longest, predating William Shatner’s Kirk and DeForest Kelley’s McCoy. Continue reading

Gorgeous Lady of the Week — Felicity Jones

No, Felicity Jones didn’t win the Best Actress Oscar last Sunday. But anyone who’s seen her remarkably brave and touching performance in The Theory of Everything knows that the lovely young Englishwoman’s future is nevertheless guaranteed to be golden. Ms. Jones’ Jane Wilde Hawking opposite Eddie Redmayne’s astonishing, Academy Award-winning portrayal as her physically impaired astrophysicist husband, Stephen Hawking, gives the film its soul and its heart. Her work is subtle and never mawkish but still communicates a woman pushed to the very limit by her belief in selfless love, her sense of guilt and honor and the slow motion tragedy of taking care of a husband with incurable neuromuscular disease. By turns strong and shattered, the actress achieves that rare thing in film acting: a fully realized human being with whom anyone with half a heart can empathize.

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The 31-year-old Birmingham beauty began her career as a teen sorceress-in-training on ITV’s The Worst Witch and after 3 seasons she took time off to attend university. But acting remained her calling and she returned to it a young woman on a mission with an impressive run of supporting roles alongside major league actresses like Emma Thompson, Michelle Pfeiffer and Helen Mirren. That steady work with top notch professionals eventually led to her own star turn in 2011’s dizzyingly romantic Like Crazywhere she played a British exchange student abruptly separated from her American lover when her visa expires.

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She was also carried away by love in 2013’s critically acclaimed Breathe In, where Ms. Jones was again an exchange student, this time falling for Guy Pearce’s married music teacher and leading him astray with her vulnerability, musicianship and big blue eyes. That same year she picked up a British Independent Film Award nomination for her very moving work as Charles Dickens’ secret mistress in the ambitious period biography, The Invisible Woman. Directed with a fine, restrained touch by Ralph Fiennes while he simultaneously portrayed Dickens, it was clear that Felicity’s portrayal of Nelly Ternen and her May-September romance with the great author confirmed a major acting talent reaching full maturity. The fact that she had now held her own and then some with Pearce and Fiennes in two consecutive pictures announced to the world that this was a young lady unintimidated and ready for big things.

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And what could be bigger than her breakthrough in The Theory of Everything with its massive success and resultant accolades? Now everyone knows Felicity Jones, not just British film buffs. And with several more films in post-production and a secure spot as one of Hollywood’s new, young A-list actresses this should only be the beginning. Between those eyes, that face and all that talent we’re sure to be looking at Felicity for years to come. Which suits us just fine.


Gorgeous Lady of the Week — Jana Kramer

Maybe you only recognize Jana Kramer as the athletic, leather-clad heroine replacing items for hapless customers in those Nationwide Insurance commercials.

https://www.youtube.com/watch?v=V5dhEala7xs

But in certain circles the petite 31-year-old Michigan native is kind of a big deal. Ms. Kramer has been a TV staple for years with recurring roles on Friday Night Lights, the 90210 re-boot and most notably for her fans, on the CW young adult smash One Tree Hill as the flirty starlet Alex Dupré.

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Jana left that show at the height of her television stardom to follow her dream of making it big in Country music, which she succeeded at with the release of her self-titled 2012 debut album and hit single “Why Ya Wanna.”

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OK, OK, so Country music is not exactly my bag, baby. But there’s no denying that Jana Kramer brightens up any music video she’s in, especially when she’s wearing denim shorts and riding a bike… which she usually is. Exceptionally pretty girls with smiles as warm as Jana’s have a way of getting you to do — and listen to — what they want.

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How some agency folks got us to stop hating their spots after all

Looks like the folks at Grey must have read my open letter and taken my advice — there are now something like 7 or 8 Robe Lowe spots running in the DirecTV campaign, all very funny and no longer driving us mad with the endless replaying of the original two.

https://www.youtube.com/watch?v=st_GI73-aVE

See, that wasn’t so hard, was it? Just spend gobs of money on production and the buy and let your creatives run wild. I’m sure your client is grateful despite all those expenditures because this campaign is a high profile success that also drives home the DirecTV > Cable argument. Win-win for all concerned and I’m happy I could be of service.