There is a moment in the enjoyably pulpy biographical BBC miniseries, Fleming, when the actress portraying Muriel Wright, Ian Fleming’s wartime flame and proto-Bond girl, walks away from the camera in her full-body tan leather motorcycle courier’s suit. She looks over her shoulder with a develish grin and a flip of her blond locks as if to say a cheerfully insouciant goodbye to her none-too-loyal lover. It’s in that moment that the viewer realizes he’s watching an actresss destined for big things. That actress is the stunning Annabelle Wallis.
The 31-year-old Briton was born in Oxford but spent her formidable years abroad in Portugal, where she became fluent not only in Portuguese but also French and Spanish. A niece of the legendary Richard Harris and cousin to the talented Jared Harris of Mad Men fame, it seems only fitting that Annabelle joined the family business. After several small roles she broke through in Showtime’s The Tudors as Jane Seymour, third wife to Jonathan Rhys Myers’ Henry VIII.
From there she was in the regrettably short-lived retro swinging stewardess series, Pan Am, alongside fellow blonde bombshell Margot Robbie and the always excellent Christina Ricci. Then in 2014 she was the inspiration for the archetypal Bond girl in two memorable episodes of Fleming opposite the up-and-coming Dominic Cooper in the titular role. That year was good to her, as she was also a lead in the supernatural thriller Annabelle and back on TV making a big impression with a major role in BBC’s excellent gangster series, Peaky Blinders, as the complex Grace Burgess alongside Cillian Murphy’s fierce crime boss.
With several more features in pre- and post-production, as well as a highly publicized romance with Coldplay lead singer Chris Martin, Ms. Wallis is surely poised to keep her momentum going. And with such a diverse range of quality work already on her impressive resume can it be long before Hollywood sees what we see in the fair-haired lass and starts putting her in big time leading roles?
True, with an attractiveness based on beautiful but not perfect features and sly wit, Annabelle is not the airbrushed, cookie cutter ingenue that makes her the “safe” pick for a leading lady. But with her impressive acting chops and that undefinable undercurrent of intrigue that she brings to every role, not to mention that fleeting, fetching smile, it seems to us that she’s the cure for the ordinary actress. We’d certainly take her in period costume or full length leather jump suit six days a week and twice on Sundays.