Tag Archives: Westerns

Classic Movie Watch — The Naked Spur (1953)

The third Western in a sequence of five innovative collaborations between director Anthony Mann and Hollywood legend James Stewart, 1953s The Naked Spur is arguably the leanest of them all if not quite the meanest (that honor goes to the slightly later and still shocking The Man From Laramie). With an excellent supporting cast of only four other players, Spur’s taught plot unwinds in the period directly after the Civil War and finds former Union soldier and rancher-turned-bounty hunter Howard Kemp (Stewart) looking to capture fugitive murderer Ben Vandergroat (a constantly laughing and manipulative Robert Ryan, one of the screen’s great neurotic villains) in order to claim the reward on his head and then buy back his lost ranch. Kemp is helped in his tawdry task first by no-luck prospector Jesse Tate (the always excellent character actor Millard Mitchell) and then a dishonorably discharged soldier-adventurer Roy Anderson (the underrated and wonderfully cynical Ralph Meeker), whose morals are definitely flexible. When the hastily assembled trio corner and capture Vandergroat, they discover he is traveling with the young daughter of one his slain gang, Lina Patch (a very lovely and pixieish Janet Leigh). Tate and Anderson also find out, courtesy of the always-plotting Vandergroat, that Kemp is no lawman and also that the reward on him is a staggering $5000. Confronted with this uncomfortable fact, Kemp reluctantly agrees to deal his other two “partners” in for equal shares of the reward. But shortly after the group heads out for Abilene to turn Vandergroat in, Kemp is shot in a needless confrontation with Blackfoot Indians pursuing the unreliable Anderson, leaving him wounded and ever more at the mercy of his dubious companions and the ever-scheming Vandergroat. With the reward payable dead or alive, and Vandergroat set to hang for his murder, the tension ratchets up as the three “good guys” debate whether they should even bother to keep the fugitive alive, Kemp and Lina begin to fall in love and Vandergroat shrewdly tries to manipulate the others so they will turn on each other and he can make his escape.

The seminal films with Stewart marked a turning point in Mann’s career, his middle period really, as he graduated from very good black & white crime thrillers on tight RKO budgets to expansive location Westerns eventually shot in Technicolor. In his last period, Mann would move on to massive widescreen historical epics such as the remarkable El Cid and the sweeping The Fall of the Roman Empire. But Mann first brought his hard boiled noir sensibilities to the Western and as a result his heroes are much more flawed than John Ford’s prairie Galahads and Howard Hawks’ tough talkers with hearts of gold. Continue reading →

Classic Movie Watch — The Magnificent Seven (1960)

Very few movies have ever packed more star power into their two hours than John Sturges’ 1960 Western extravaganza The Magnificent Seven. Featuring a presciently well-chosen collection of actors who would go on to become massive stars, the film is also fascinating for being a remake of Akira Kurosowa’s Seven Samurai with a perfectly logical transformation of milieu from the classic Samurai period of feudal Japan to the Old West of the United States/Mexico border. Highly skilled mercenaries are hired to defend a small, poor village from the depredations of a rampaging bandit and his gang, and Sturges shrewdly swaps swords for six guns even while the plot and characters of the two films remain largely identical. Of course, the ultimate irony is that Kurosowa was in fact striving to emulate a John Ford Western with Seven Samurai, so Magnificent Seven winds up being a Hollywood Western refracted back to its source by way of Japan. But it was Sturges’ singular genius to see how seven huge stars (eight if you count the bandit super villain) could fit together in one action-packed epic.

Sturges had already succeeded brilliantly with several other high wattage blockbusters like Gunfight at the OK Corral, which featured the always sparkling tandem of Burt Lancaster and Kirk Douglas; Bad Day at Black Rock with a one-armed Spencer Tracy being menaced by all-star heavies Robert Ryan, Ernest Borgnine and Lee Marvin; and the WWII action adventure Never So Few, which starred Frank Sinatra, Peter Lawford and Gina Lollabrigida but was stolen by a young Steve McQueen in his breakout film role. Sturges immediately saw McQueen’s potential after the remarkable reaction to his supporting role in Few and teamed him that great bald showman, Yul Brynner, already famous for playing grand exotics like the King of Siam and Pharaoh, as the twin leads for his new project. Continue reading →