Everybody has a favorite James Bond movie and a favorite actor who played the legendary British secret agent. But today relatively few have ever read Ian Fleming’s original books. Fewer still know the story of the men behind the myth and their herculean efforts to get Bond to the screen and keep him on top throughout the decades. 2013’s superlative documentary Everything or Nothing: The Untold Story of 007 brilliantly fills in the blank spaces and inside history for both the casual 007 enthusiast and the hardcore fanatic.
With unprecedented and officially sanctioned access to the key players in Bond’s creation and remarkably enduring success as a cinematic staple for generations, Everything or Nothing delves into Fleming’s biography to show how his conception of James Bond was forged by his work as an intelligence officer for the British Navy during WWII. A cunning planner of sabotage operations, Fleming was nonetheless primarily a desk man who had to live the action vicariously through the exploits of the men “playing Red Indians”, his colorful term for Special Forces commandos operating behind enemy lines. After the war and with a new Soviet enemy to face, Fleming kicked around a bit before finally finding his calling with the first Bond novel, Casino Royale, in 1953. Wonderfully informed with details from his wartime espionage experience if somewhat crudely written in a potboiler style, Casino Royale struck a cord and was an immediate success. This enabled Fleming to devote his energies to writing new adventures for his super spy to please an enthusiastic public if not always the hot-and-cold critics. Between 1952 and his death in 1964, Fleming cranked out twelve full-length Bond novels and two collections of 007 short stories.
James Bond’s exploits were inherently cinematic and almost immediately various film and television producers approached Fleming with ideas for adaptations, with very mixed results initially. Continue reading